Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 489
... critic . Educated at Harvard , Paris , and Oxford Universities , Eliot established himself in London in 1914 as an editor and poet . In 1922 he published The Waste Land , a long poem which brought him considerable fame and influence ...
... critic . Educated at Harvard , Paris , and Oxford Universities , Eliot established himself in London in 1914 as an editor and poet . In 1922 he published The Waste Land , a long poem which brought him considerable fame and influence ...
الصفحة 500
... critic , and theorist . Lessing entered the University of Leipzig in 1746 to study theology , but he soon became enamoured of the theatre and wrote a number of comedies which were produced by the Neuber company . He fled Leipzig in 1748 ...
... critic , and theorist . Lessing entered the University of Leipzig in 1746 to study theology , but he soon became enamoured of the theatre and wrote a number of comedies which were produced by the Neuber company . He fled Leipzig in 1748 ...
الصفحة 516
... critic , art critic , aesthetician , and historian . Educated privately at home , in 1848 Taine entered the École Normale in Paris ; failing to graduate in 1851 because of his adherence to Spinoza's philosophy , Taine taught for a year ...
... critic , art critic , aesthetician , and historian . Educated privately at home , in 1848 Taine entered the École Normale in Paris ; failing to graduate in 1851 because of his adherence to Spinoza's philosophy , Taine taught for a year ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words