Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 207
... mind and its artistic beauty a higher place in contrast to Nature , we do not denote a distinction which is merely relative . Mind , and mind alone , is pervious to truth , comprehending all in itself , so that all which is beautiful ...
... mind and its artistic beauty a higher place in contrast to Nature , we do not denote a distinction which is merely relative . Mind , and mind alone , is pervious to truth , comprehending all in itself , so that all which is beautiful ...
الصفحة 237
... mind is every instant called off to something new , and the attention not suffered to dwell too long , and waste itself on any particular object . ( 2 : 138-39 ) . . . As the fancy delights in every thing that is great , strange , or ...
... mind is every instant called off to something new , and the attention not suffered to dwell too long , and waste itself on any particular object . ( 2 : 138-39 ) . . . As the fancy delights in every thing that is great , strange , or ...
الصفحة 238
... mind of imagination , or the power by which one image or feeling is made to modify many others and by a sort of fusion to force many into one .... Various are the workings of this greatest faculty of the human mind - both passionate and ...
... mind of imagination , or the power by which one image or feeling is made to modify many others and by a sort of fusion to force many into one .... Various are the workings of this greatest faculty of the human mind - both passionate and ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words