Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 266
... Morality , than to explain any part of the Intrigue .... As to these Didacktick Discourses , I distinguish them into two sorts , some I call Physical , and the others Moral ones . I call those Physical or Natural , which make a ...
... Morality , than to explain any part of the Intrigue .... As to these Didacktick Discourses , I distinguish them into two sorts , some I call Physical , and the others Moral ones . I call those Physical or Natural , which make a ...
الصفحة 267
... moral of the work ; that is , to lay down to yourself what that precept of morality shall be which you would insinuate into the people . . . . It is the moral that directs the whole action of the play to one centre ; and that action or ...
... moral of the work ; that is , to lay down to yourself what that precept of morality shall be which you would insinuate into the people . . . . It is the moral that directs the whole action of the play to one centre ; and that action or ...
الصفحة 296
... moral obligations , and deny that the writing or the performance of a play is a moral act , to be treated on exactly the same footing as theft or murder if it produces equally mischievous consequences . I am convinced that fine art is ...
... moral obligations , and deny that the writing or the performance of a play is a moral act , to be treated on exactly the same footing as theft or murder if it produces equally mischievous consequences . I am convinced that fine art is ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words