Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
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الصفحة 194
... objects themselves do . For that purpose the artist forms for himself an idea of that character , and according to his idea he transforms the actual object . This object thus transformed is found to conform to the idea , or , in other ...
... objects themselves do . For that purpose the artist forms for himself an idea of that character , and according to his idea he transforms the actual object . This object thus transformed is found to conform to the idea , or , in other ...
الصفحة 209
... object , which makes us seek to heighten , to prolong , or extend that satisfaction to the utmost ; and beyond this we cannot go , for we cannot get beyond the highest conceivable degree of any quality or excellence diffused over the ...
... object , which makes us seek to heighten , to prolong , or extend that satisfaction to the utmost ; and beyond this we cannot go , for we cannot get beyond the highest conceivable degree of any quality or excellence diffused over the ...
الصفحة 257
... object and the representation , it opens a new field of inquiry , and leads the attention to a variety of details and distinctions not perceived before . This latter source of the pleasure derived from imitation has never been properly ...
... object and the representation , it opens a new field of inquiry , and leads the attention to a variety of details and distinctions not perceived before . This latter source of the pleasure derived from imitation has never been properly ...
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1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words