Analytical Sourcebook of Concepts in Dramatic TheoryBloomsbury Academic, 21/08/1981 - 560 من الصفحات Product information not available. |
من داخل الكتاب
النتائج 1-3 من 51
الصفحة 363
... TASTE ( CBL 2 : 63-64 ) . 1819 Hazlitt . Compare with TASTE ( HW 11 : 456-57 ) . c.1819 Coleridge . See under UNITY ( CLSW 110 ) . c.1820 Hazlitt HW Rules and models destroy genius and art ; and the excess of the artificial in the end ...
... TASTE ( CBL 2 : 63-64 ) . 1819 Hazlitt . Compare with TASTE ( HW 11 : 456-57 ) . c.1819 Coleridge . See under UNITY ( CLSW 110 ) . c.1820 Hazlitt HW Rules and models destroy genius and art ; and the excess of the artificial in the end ...
الصفحة 408
Oscar L. Brownstein, Daphna Ben-Chaim. TASTE " Taste " is the appreciation of excellence in art or sensitivity to aesthetic forms and qualities . Like " sensibility , " this metaphor became fashionable in the eighteenth century to ...
Oscar L. Brownstein, Daphna Ben-Chaim. TASTE " Taste " is the appreciation of excellence in art or sensitivity to aesthetic forms and qualities . Like " sensibility , " this metaphor became fashionable in the eighteenth century to ...
الصفحة 410
... TASTE . ( 2 : 63-64 ) ... TASTE is the intermediate faculty which connects the active with the passive powers of our nature , the intellect with the senses ; and its appointed function is to elevate the images of the latter , while it ...
... TASTE . ( 2 : 63-64 ) ... TASTE is the intermediate faculty which connects the active with the passive powers of our nature , the intellect with the senses ; and its appointed function is to elevate the images of the latter , while it ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
1570 Castelvetro 1660 Corneille 1808 Schlegel SCL 1871 Nietzsche 4th cent action actor Addison AW AESTHETIC AFFECT Artaud artistic audience B.C. Aristotle AP BBBG beautiful Brecht CATHARSIS character Chekhov CLOSURE CLSW comedy comic CONFLICT Corneille critic d'Aubignac delight Diderot drama Dryden DW Eliot emotions Epic poetry EPIC THEATRE Euripides expression fear feeling GENRE DEFINITION GEST Goethe Hazlitt HW Hegel HERO human HUMOR idea IDEALISM ILLUSION imagination IMITATION individual INSTRUCTION Johnson language MAGNITUDE means METAPHOR mind Molière moral nature object Oscar Levy passions pathos persons Pirandello pity play pleasure PLOT poem poet POETIC JUSTICE poetry PROBABILITY REALISM reality representation represented RULES Scaliger scene Schlegel sense Shakespeare Shaw SPECTACLE spectator stage Stanislavski STYLE SUBJECT SYMBOL taste things THOUGHT THREE UNITIES tion tragedy tragic true truth VAWP Voltaire whole words