CONTENTS. • 325 . . . Page Page ix-liii Epistle III. (to Lord Bathurst): of the 7 Epistle IV. (to the Earl of Burlington): A Discourse on Pastoral Poetry IO Epistle V. (to Mr Addison. Occasioned by his Dialogues on Medals) 263 Epistle to Dr Arbuthnot, being the Pro- 26 Satires and Epistles of Horace imitated 30 The First Satire of the Second Book 286 41 The Second Satire of the Second Book, 290 Ode for Music on St Cecilia's Day 41 The First Epistle of the First Book 295 Two Chorus's to the Tragedy of Brutus . 43 The Sixth Epistle of the First Book 300 45 The First Epistle of the Second Book 303 The Dying Christian to his soul The Second Epistle of the Second Book 316 47 Satires of Dr Donne Versified Elegy to the Memory of an Unfortunate Epilogue to the Satires in Two Dialogues : 334 Prologue to Mi Addison's Tragedy of Epilogue to Mr Rowe's Jane Shore TRANSLATIONS AND IMITATIONS • 347 144 Advertisement (Printed in the Journals, The First Book of Statius his Thebais 171 Martinus Scriblerus of the Poem (Of a Lady singing to her Lute) (On a Fan of the Author's Design) 179 By the Author: a Declaration 180 A List of Books, Papers and Verses, &c. 431 180 Index of Persons celebrated in this Poem 180 Index of Matters contained in this Poem Earl of Rochester (on Silence) 183 MISCELLANEOUS PIECES IN VERSE Dr Swift (The Happy Life of a Country Part of the Ninth Ode of the fourth Book 446 • 193 To Robert Eari of Oxford To Mr Jervas, with Mr Dryden's Trans- lation of Fresnoy's Art of Painting To Miss Blount, with the Works of Moral Essays in Four Epistles to several 228 To the same, on her leaving the Town Epistle I. (to Lord Cobham): of the Knowledge and Characters of Men 228 On Receiving from the Right' Hon, the Epistle II. (to a Lady): of the Charac- Lady Frances Shirley a Standish and 360 . • 216 • 456 484 457 461 489 Epitaphs on John Hughes and Sarah III. On the Hon. Simon Harcourt On the Countess of Burlington cutting 457 On a Picture of Queen Caroline The Looking-Glass: on Mrs. Pulteney VII. On the Monument of the Hon. On certain Ladies Robert Digby and of his sister Celia Epigram, engraved the Collar of a Dog XII. Intended for Sir Isaac Newton To Mr Gay, who had congratulated Mr 461 Pope on finishing his House and Gardens 488 XIV. On Edmund D. of Buckingham 462 Upon the Duke of Marlborough's House XV. For one who would not be buried in 452 On Beaufort House Gate at Chiswick 463 Inscription on a Punch-Bowl A Paraphrase on Thomas à Kempis 463 Verbatim from Boileau To the Author of a Poem entitled Successio 464 Epigram (My Lord complains, &c.) 464 Epigram (Yes, 'tis the time, &c.) 465 Occasioned by reading the Travels of Occasioned by some Verses of His Grace Captain Lemuel Gulliver 1. To Quintus Flestrin, the Man-Moun- Epigram on the Feuds about Handel aná II. The Lamentation of Glumdaiclitch Epigram (You beat your pate, &c.) III. To Mr. Lemuel Gulliver from the Epitaph (Well then, poor G-, &c.) Epitaph Here Francis C- lies, &c.). IV. Mary Gulliver to Captain Lemuei To a Lady with 'The Temple of Fame' 467 467 From the Grub-street Journal Epigram on the Toasts of the Kit-Cat Club 467 I. Epigram: occasioned by seeing some 468 sheets of Bentley's edition of Milton's On Drawings of the Statues of Apollo, Venus, and Hercules, made by Sir G. 11. Epigram (Should D-s print, &c.): 498 III. Mr J. M. S-e catechised on his Prologue to the Three Hours after Mar- Prologue designed for Mr D'Urfey's last IV. Epigram: on Mr M-re's going to 469 V. Epigram (A gold watch found, &c.) 498 A Prologue by Mr Pope to a Play for Mi VI. Epitaph (Here lies what had no To Mr John Moore, Author of the cele- IX. Epigram (Behold! ambitious of the 473 On Seeing the Ladies at Crux-Easton walk 474 in the Woods by the Grotto 475 Inscription on a Grotto, the work of Nine Lines Written in Windsor Forest Verses left by Mr Pope, on his lying in Answer to a Question of Mrs Howe To the Right Hon. the Earl of Oxford Translation of a Prayer of Brutus Lines written in Evelyn's Book on Coins 479 To Mr. Thomas Southern, on his Birth- Extemporaneous Lines, on the Picture of Prayer of St Francis Xavier INTRODUCTORY MEMOIR. VERY books and essays continue to this day to make their appearance, in which the period of our literary history coinciding with the literary life of Pope is spoken of as our Augustan age. Were this transfer of title intended to imply the existence during the period in question of any royal patronage of letters such as the first of the legitimate Cæsars was too prudent absolutely to neglect, it would condemn itself at once. The English Augustans were not warmed by the favour of any English Augustus. William the Deliverer, in whose reign they had grown up, had been without stomach for the literature of a nation with whose tastes and habits he had never made it part of his political programme to sympathise. Queen Anne's very feeble light of personal judgment was easily kept under by the resolute will of her favourites, or flickered timidly under cover of the narrowest orthodoxy. Of the first two Georges the former, indifferent to an unpopularity which never seemed to endanger his tenure of the throne, neither possessed an ordinary mastery of the English tongue nor manifested even a transient desire to acquire it. His successor had no objection to be considered, in virtue of his mistress rather than his wife, the patron of the literary adherents of a political party, until, on mounting the throne, he blandly disappointed the hopes of that party itself. The epoch of our Augustans had all but closed, when the death of Frederick, Prince of Wales, put an absolute end to the nominal hopes in the advent of a golden age for the liberal arts, by averting the accession of a Patriot King. Neither was the defect of royal patronage supplied by any genuine Mæcenas from among the great ones of the realm. The traditions in this respect of the Stuart period—traditions doubtless exaggerated in the age of Pope, yet not wholly baseless—had barely survived the expulsion of the last Stuart King. Of King William's Batavian comrades, none had sought to grace their newly-acquired dignities and incomes by fostering the efforts of genius in the country which they had consented to adopt. Among the chief English-born noblemen and gentlemen a of this reign those of the older generation were too intently engaged in picking their path through events and eventualities to find time for dallying with the delights of literature and art. One only of their number, the sage whom all parties honoured because he so circumspectly abstained from being of vital service to any, Sir William Temple, alone had a thought for literature, and horticulture, and other liberal amusements. With Queen Anne's accession commenced among the leaders of political and social life a period of eager speculation as to the contingencies which might supervene on her decease. Parties within parties, and factions within factions, battled over their living sovereign because it seemed that everything must depend upon the hands into which the power should fall when she should lie dead. In a time of national abasement foreign intellectual fashions and the patronage of such fashions may prevail ; and such had been actually the case in the reigns of both the Charles's. In a time of national elevation a national literature will find its patrons; nor had such been wanting to our Elizabethans, nor were they (though in a different fashion) to fail English writers in subsequent times. But amidst the cynically selfish party-warfare which degraded our political life in the reign of Queen Anne, the value of literature was depreciated in accordance with the general decay of national feeling. For it was an age in which all things were viewed in their relation to the main issue upon which men's thoughts were fixed. Church and crown, freedom of action and of speech, the rights of the citizen at home and the glories of the nation abroad, were freely and fiercely tossed about in the caldron where the political future was believed to be brewing. Where the national honour was hardly taken into account as a secondary consideration, and the national wishes so little consulted that in the eyes of history they to this day frequently remain obscure, a national literature could obviously have no intrinsic cause for existence in the eyes of either Tories or of Whigs. It is for the parties that the nation and its feelings have been created; its traditions, its sympathies are so many adventitious aids, its foremost men so many candidates for partisan employment. The Whigs will crown Addison the laureate of their party; but not till he has sung the glories of its acknowledged hero. Bolingbroke, who liked to compare himself to Alcibiades, and Oxford, in whom the oblique vision of some party adulator discerned a Pericles to match, repaid their literary henchmen in the coin dearest to the frugal souls of literary men, and cheapest to the condescending great, a social familiarity at times facilitated by the bottle. Their literary assailants they were eager to imprison and pillory and utterly extinguish. Pegasus was always welcome if he would run in harness; otherwise away with him to the pound. Queen Anne's reign came to an end; and under the administration which supervened, a yet more practical method of reducing literature to her level was consistently adopted. No minister has probably ever expended so large a sum upon the hire of pens as Sir Robert Walpole. The consent of contemporaries and posterity stigmatises him as the poet's foe. The warmth of his patronage elicited the grubs from the soil, and bred dunces faster than Swift and Pope could destroy them. |