Lectures on the English LanguageMurray, 1863 - 498 من الصفحات |
من داخل الكتاب
النتائج 1-5 من 100
الصفحة 13
... , which shows a very full system of varied terminations ; but the native language is learned by the ear , and the spoken tongue of France reduces its multitude of written endings to a very small list INTRODUCTORY . 13.
... , which shows a very full system of varied terminations ; but the native language is learned by the ear , and the spoken tongue of France reduces its multitude of written endings to a very small list INTRODUCTORY . 13.
الصفحة 14
... written French , disappear almost wholly in pronunciation , and for those who only speak , they are non - existent . * While , therefore , for speaking French by rote , as natives do all tongues , no grammar is needed , yet few written ...
... written French , disappear almost wholly in pronunciation , and for those who only speak , they are non - existent . * While , therefore , for speaking French by rote , as natives do all tongues , no grammar is needed , yet few written ...
الصفحة 21
... written would have kept up the comprehension , if not the use , of good old forms and choice words which have irrecoverably perished , and the English of the most vigorous period of our literature would not now be sneered at as obso ...
... written would have kept up the comprehension , if not the use , of good old forms and choice words which have irrecoverably perished , and the English of the most vigorous period of our literature would not now be sneered at as obso ...
الصفحة 22
... written . Neither the prose nor the verse of the English literature of the fourteenth century comes up to the elaborate elegance and the classic finish of Boccaccio and of Petrarch . But , in original power , and in all the high- est ...
... written . Neither the prose nor the verse of the English literature of the fourteenth century comes up to the elaborate elegance and the classic finish of Boccaccio and of Petrarch . But , in original power , and in all the high- est ...
الصفحة 31
... written alphabetic characters , or other conventional symbols , whether arbitrary or imitative , the dumb and indefinable language of manual signs , of facial expression and of gesture , but of the language of brute beast and bird ; and ...
... written alphabetic characters , or other conventional symbols , whether arbitrary or imitative , the dumb and indefinable language of manual signs , of facial expression and of gesture , but of the language of brute beast and bird ; and ...
المحتوى
1 | |
29 | |
54 | |
76 | |
97 | |
117 | |
150 | |
172 | |
340 | |
360 | |
378 | |
407 | |
426 | |
444 | |
468 | |
499 | |
191 | |
218 | |
238 | |
260 | |
281 | |
296 | |
313 | |
516 | |
542 | |
571 | |
596 | |
617 | |
644 | |
666 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
accent adjective alliteration ancient Anglo-Saxon articulation belonging Ben Jonson Bible century character Chaucer classical common composition compound consonants derived dialect diction dictionary distinct early elements employed England English language English words etymology example expression fact familiar foreign French gender German Gothic Gothic languages grammatical Greek guage Hence Icelandic important inflections influence instances intellectual Italian language Latin Layamon Lecture less letters linguistic literature meaning modern moral nation native noun obsolete occur original Ormulum orthoepy orthography participle particles period persons philological phrase Piers Ploughman plural poems poetic poetry possessive present printed pronounced pronunciation prose prosody radical reference remarkable respect rhymes Robert of Gloucester Romance roots Saxon sense Shakespeare signification sound speak speech strong inflection supposed syllable syntactical syntax thing thought tion tongue translation verb verbal verse vocabulary vowel weak inflection writers Wycliffe Wycliffite
مقاطع مشهورة
الصفحة 356 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
الصفحة 164 - But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.
الصفحة 71 - In courts, at feasts, and high solemnities, Where most may wonder at the workmanship. It is for homely features to keep home; They had their name thence...
الصفحة 161 - When we were taken up stairs," says he in one of his letters, " a dirty fellow bounced out of the bed on which one of us was to lie." This incident is recorded in the Journey as follows : " Out of one of the beds on which we were to repose started up, at our entrance, a man black as a Cyclops from the forge.
الصفحة 66 - Come, pensive Nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...
الصفحة 511 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin, — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
الصفحة 629 - Truly, good Christian Reader, we never thought from the beginning that we should need to make a new translation, nor yet to make of a bad one a good one...
الصفحة 130 - In one corner was a stagnant pool of water, surrounding an island of muck; there were several half-drowned fowls crowded together under a cart, among which was a miserable, crest-fallen cock, drenched out of all life and spirit, his drooping tail matted, as it were, into a single feather, along which the water trickled from his back...
الصفحة 333 - AN EPITAPH ON THE ADMIRABLE DRAMATIC POET W. SHAKESPEARE. WHAT needs my Shakespeare for his honour'd bones The labour of an age in piled stones ? Or that his hallow'd reliques should be hid Under a star-ypointing pyramid...
الصفحة 164 - When you are an anvil, hold you still ; when you are a hammer, strike your fill.