6. Straight in through the frightened children, Unshrinking, the red man strode, And loosed on the blazing hearthstone, With look as serene and mild Stepped softly a little child. 7. As he chafed at the fire his fingers, 8. "They weep for the boy in the wigwam To break with the plow the sod,— 9. "I give thee my hand!" and the lady Pressed forward with sudden cheer; "Thou shalt eat of my English pudding, And drink of my Christmas beer.My sweethearts, this night, remember, All strangers are kith and kin, This night when the dear Lord's mother 10. Next morn from the colony belfry Flocked, keeping the Christmas time. 11. Forthwith from the congregation "Out! out! with the crafty red-skin ! And swords from their sheaths flashed bare, Sprang, ready to slay him there. 12. But, facing the crowd with courage And spake with a queenly gesture, Her hand on the chief's brown breast: "Ye dare not impeach my honor! Ye dare not insult my guest! 13. They dropped at her word their weapons, Half-shamed as the lady smiled, And told them the red man's story, And showed them the red man's child; And pledged them her broad plantations, Had shown on a Christmas Day! MARGARET J. PRESTON. What time of the year is the incident related in the poem supposed to have happened? What is meant by "laid on a sunny head a touch as of benediction " (2)? "Or ever " means "before" (3). Was the mother frightened when the boy said, "There's a face at the window-pane"? What did she do? Who entered when she threw open the door? What did the Indian do when he entered? What did he say he wanted? What is meant by "a moon of days" (8)? By "the speaking paper" (8)? How did the lady receive the chief? What happened when the lady, her children, and the Indian went to church on Christmas? What did the lady do? What did she say (12) ? How did the congregation act? LESSON IX. 6. sĩ mül ta ne Qus lý ; adv. at the same time. 6. fōrè shôrt' ened; v. rep resented as seen slanting. 14. ā'eronaut'; n. a balloonist. 14. spěç′ I fïès; v. mentions so as to distinguish from other things. 12. păr à çhụte; n. a contri- | 15. grăp′ nèl-ĩ ròn; n. an an vance shaped somewhat like a large umbrella, by means of which anything may be sent down slowly from a balloon. 13. vălvè; n. a lid or cover. 15. chor with four or five claws, used to hold small vessels. smŏèk'-frŏèks; n. coarse linen shirts worn over the coat by farm laborers. In a Balloon. 1. It would appear that in almost every age, from time immemorial, there has been a strong feeling in certain ambitious mortals to ascend among the clouds. Taking balloons as they are," for better, for worse," let us for once have a flight in the air. 2. The first thing you naturally expect is some extraordinary sensation in springing high up into the air, which takes away your breath for a time. But no such thing occurs. The extraordinary part is, that you experience no sensation at all, so far as motion is concerned. 3. A very amusing illustration of this is given in a letter published by a well-known author, shortly after his ascent. "I do not despise you," says he, "for talking about a balloon going up, for it is an error which you share in common with some millions of our fellow-creatures; and I, in the days of my ignorance, thought with the rest of you. I know better now. The fact is, we do not go up at all; but at about five minutes past six, on Friday evening, Vauxhall Gardens, with all the people in them, went down!" 4. Feeling nothing of the ascending motion, the first impression that takes possession of ycu, in "going up " in a balloon, is the quietude-the silence, that grows more and more entire. The restless heaving to and fro of the huge inflated sphere above your head (to say nothing of the noise of the crowd), the flapping of ropes, the rustling of silk, and the creaking of the basket-work of the car,all have ceased. There is a total cessation of all atmospheric resistance. You sit in a silence which becomes more perfect every second. After the bustle of many moving objects, you stare before you into blank air. 5. So much for what you first feel; and now, what is the first thing you do? In this case we all do the same We do this very thing we look over the side of the car. cautiously, keeping a firm seat; and then, holding on by the edge, we carefully protrude the peak of our travelingcap, and then the tip of the nose, over the edge of the car, upon which we rest our mouth. 6. Everything below is seen in so new a form, so flat compressed, and so simultaneously, so much too-much at-a-time, that the first look is hardly so satisfactory as could be desired. But soon we thrust the chin fairly over the edge, and take a good stare downward; and this repays us much better. Objects appear under very novel circumstances from this vertical position. They are stunted and foreshortened, and rapidly flattened to a map-like appearance; they get smaller and smaller, and clearer and clearer. 7. Away goes the earth, with all its objects—sinking lower and lower, and everything becoming less and less, but getting more and more distinct and defined as it diminishes in size. But, besides the retreat toward minuteness, the objects flatten as they lessen: men and women are five inches high, then four, three, two, one inch, and now a speck. The great city is a board set out with toys, its public edifices turned into baby-houses. 8. As for the Father of Rivers, he becomes a duskygray, winding streamlet; and his largest ships are no more than flat, pale decks, all the masts and rigging being foreshortened to nothing. We soon come now to the shadowy, the indistinct; and then all is lost in air. Floating clouds fill up the space beneath. 9. How do we feel, all this time? "Calm, sir,-calm and resigned." Yes, and more than this. After a little while, when you find nothing happens, and see nothing likely to happen, a delightful serenity takes the place of all other sensations. 10. To this the extraordinary silence, as well as the pale beauty and floating hues that surround you, is chiefly attributable. The silence is perfect,—a wonder and a rapture. We hear the ticking of our watches,-tick! tick!— or is it the beat of our own hearts? We are sure of the watch; and now we think we can hear both. |