The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the PoetsCrocker, 1847 - 152 من الصفحات |
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الصفحة 5
... commonly go together ; they have their seat in syllables , accented or unaccented : they are both affected by ac- cent and cadence ; but quantity more than time ; and quantity , more than time also , constitutes numbers . We may observe ...
... commonly go together ; they have their seat in syllables , accented or unaccented : they are both affected by ac- cent and cadence ; but quantity more than time ; and quantity , more than time also , constitutes numbers . We may observe ...
الصفحة xiii
... commonly go together ; they have their seat in syllables , accented or unaccented : they are both affected by ac- cent and cadence ; but quantity more than time ; and quantity , more than time also , constitutes numbers . We may observe ...
... commonly go together ; they have their seat in syllables , accented or unaccented : they are both affected by ac- cent and cadence ; but quantity more than time ; and quantity , more than time also , constitutes numbers . We may observe ...
الصفحة 8
... commonly used ? Have they also a joint capacity , as they are used in poetical com- position ? Explain this . What is time , as it relates to verse ? What is quantity , as it relates to English verse ? What are the pauses pertaining to ...
... commonly used ? Have they also a joint capacity , as they are used in poetical com- position ? Explain this . What is time , as it relates to verse ? What is quantity , as it relates to English verse ? What are the pauses pertaining to ...
الصفحة 15
... commonly used , in poetical compositions , each by themselves , unmixed with other kinds ; viz . iambic , tro- chaic , anapæstic , amphibrachic and dactyle ; and these constitute the five simple orders of construction , or five kinds of ...
... commonly used , in poetical compositions , each by themselves , unmixed with other kinds ; viz . iambic , tro- chaic , anapæstic , amphibrachic and dactyle ; and these constitute the five simple orders of construction , or five kinds of ...
الصفحة 16
... commonly used , in poems of any length , are those of four and five feet . The epic verse is five feet metre , iambic : this is called the pentameter verse ; and is used in elegiac compositions , and in poems generally , more frequently ...
... commonly used , in poems of any length , are those of four and five feet . The epic verse is five feet metre , iambic : this is called the pentameter verse ; and is used in elegiac compositions , and in poems generally , more frequently ...
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accent and cadence adapted amphibrachic verse amphimac anapæstic verse ănd antibacchy antient arranged bacchy bards blank verse cæsural pause called CHAPTER Cite examples comma marks common Composite Orders couplet dactyle descriptive different kinds emphasis English prosody foot foregoing four feet metre genius grammar Greeks half spondee harmony hence iambic verse iambus irregular kinds of feet kinds of verse language long and short lyre lyric manner melody mode of scansion moloss monosyllable movement nature necessary numbers o'er observed in reading Orthoepy pertaining to verse Pindaric poem poetic pauses poetical composition poetry poets principles proper properly pyrrhic Questions and Exercises reading verse regular correspondence regular order rhyme rules and precepts Sapphic Sappho SECT sentiment sheer iambic short quantity short syllables sometimes song sounds and pauses species stanza strophe style syntax pauses technical terms thě thee thou tion tones Tribrachs trochaic verse trochee verse is composed versification voice words