Shakespeare and His Critics |
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الصفحة 179
In Lear the elements themselves are not actively hostile , they are horrible because they are insentient and break the old king dispassionately . They are contrasted with the elemental evil which is active in the deliberate cruelty of ...
In Lear the elements themselves are not actively hostile , they are horrible because they are insentient and break the old king dispassionately . They are contrasted with the elemental evil which is active in the deliberate cruelty of ...
الصفحة 445
Lear combines length with rapidity , – like the hurricane and the whirlpool , absorbing while it advances . ... It was not without forethought , nor is it without its due significance , that the division of Lear's kingdom is in the ...
Lear combines length with rapidity , – like the hurricane and the whirlpool , absorbing while it advances . ... It was not without forethought , nor is it without its due significance , that the division of Lear's kingdom is in the ...
الصفحة 446
That is all the feeling which the acting of Lear ever produced in me . But the Lear of Shakespeare cannot be acted . The contemptible machinery by which they mimic the storm which he goes out in , is not more inadequate to represent the ...
That is all the feeling which the acting of Lear ever produced in me . But the Lear of Shakespeare cannot be acted . The contemptible machinery by which they mimic the storm which he goes out in , is not more inadequate to represent the ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote