Shakespeare and His Critics |
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النتائج 1-3 من 54
الصفحة 179
Like Macbeth , ' Othello is assailed from without , but as in Lear the enemy is in human form , if the epithet may be applied to the inhuman Iago . It is different with Hamlet , at once simpler and more difficult .
Like Macbeth , ' Othello is assailed from without , but as in Lear the enemy is in human form , if the epithet may be applied to the inhuman Iago . It is different with Hamlet , at once simpler and more difficult .
الصفحة 191
When Desdemona returns Othello recovers : If she be false , O , then heaven mocks itself ! I'll not believe ' t . but Iago knows that his victim is helpless , and utters the beautiful and horrible incantation : Not poppy ...
When Desdemona returns Othello recovers : If she be false , O , then heaven mocks itself ! I'll not believe ' t . but Iago knows that his victim is helpless , and utters the beautiful and horrible incantation : Not poppy ...
الصفحة 437
Othello for instance . Nothing can be more soothing , more flattering to the nobler parts of our natures , than to read of a young Venetian lady of the highest extraction , through the force of love and from a sense of merit in him whom ...
Othello for instance . Nothing can be more soothing , more flattering to the nobler parts of our natures , than to read of a young Venetian lady of the highest extraction , through the force of love and from a sense of merit in him whom ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote