Shakespeare and His Critics |
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النتائج 1-3 من 79
الصفحة 169
CHAPTER V CHARACTER N his Poetics Aristotle maintains that in tragedy character is subsidiary to action : Most important of all is the structure of the incidents . For Tragedy is an imitation , not of men , but of an action and of life ...
CHAPTER V CHARACTER N his Poetics Aristotle maintains that in tragedy character is subsidiary to action : Most important of all is the structure of the incidents . For Tragedy is an imitation , not of men , but of an action and of life ...
الصفحة 172
It is a fair generalisation to make that before the time of Shakespeare there were no characters in English ... Occasionally , it is true , a character in the mystery or morality plays comes to life , like the sheep - stealer Mak in the ...
It is a fair generalisation to make that before the time of Shakespeare there were no characters in English ... Occasionally , it is true , a character in the mystery or morality plays comes to life , like the sheep - stealer Mak in the ...
الصفحة 418
The seeming inconsistencies in the conduct and character of Hamlet have long exercised the conjectural ingenuity of critics ; and , as we are always loth to suppose that the cause of defective apprehension is in ourselves , the mystery ...
The seeming inconsistencies in the conduct and character of Hamlet have long exercised the conjectural ingenuity of critics ; and , as we are always loth to suppose that the cause of defective apprehension is in ourselves , the mystery ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote