Shakespeare and His Critics |
من داخل الكتاب
النتائج 1-3 من 65
الصفحة 171
But man has the peculiar faculty of calling up again in his mind the echo of past experiences of this kind , of going over it again , ' in imagination ' as we say ... In the imaginative life no such action is necessary , and , therefore ...
But man has the peculiar faculty of calling up again in his mind the echo of past experiences of this kind , of going over it again , ' in imagination ' as we say ... In the imaginative life no such action is necessary , and , therefore ...
الصفحة 311
Alings the imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval .
Alings the imagination instantly back from the grown woman to the helpless condition of infancy , and places the first and most trying scene of his misfortunes before us , with all that he must have suffered in the interval .
الصفحة 472
It addresses itself entirely to the imaginative faculty ; and although the illusion may be assisted by the effect on ... —from the moved and sympathetic imagination ; whereas , where so much is addressed to the mere external senses of ...
It addresses itself entirely to the imaginative faculty ; and although the illusion may be assisted by the effect on ... —from the moved and sympathetic imagination ; whereas , where so much is addressed to the mere external senses of ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote