Shakespeare and His Critics |
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الصفحة 324
Shakespeare's main interest lay here . To say that it lay in mere character , or was a psychological interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given ...
Shakespeare's main interest lay here . To say that it lay in mere character , or was a psychological interest , would be a great mistake , for he was dramatic to the tips of his fingers . It is possible to find places where he has given ...
الصفحة 325
interest in character apart from action . But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different thing from the tragic ' action ' ) , for the kind of interest which predominates in a novel like ...
interest in character apart from action . But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different thing from the tragic ' action ' ) , for the kind of interest which predominates in a novel like ...
الصفحة 472
of magick , the tumults of a storm , the adventures of a desert island , the native effusion of untaught affection , the punishment of guilt , and the final happiness of the pair for whom our passions and reason are equally interested .
of magick , the tumults of a storm , the adventures of a desert island , the native effusion of untaught affection , the punishment of guilt , and the final happiness of the pair for whom our passions and reason are equally interested .
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote