Shakespeare and His Critics |
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النتائج 1-3 من 61
الصفحة 237
... so Shakespeare's characters would be improved by speaking the elegant language of the Restoration , his thoughts ... was all in the true interests of Shakespeare who wanted words in the beginning of our language . a It may be as ...
... so Shakespeare's characters would be improved by speaking the elegant language of the Restoration , his thoughts ... was all in the true interests of Shakespeare who wanted words in the beginning of our language . a It may be as ...
الصفحة 314
Shakspeare's language and versification are like the rest of him . He has a magic power over words : they come winged at his bidding ; and seem to know their places . They are struck out at a heat , on the spur of the occasion ...
Shakspeare's language and versification are like the rest of him . He has a magic power over words : they come winged at his bidding ; and seem to know their places . They are struck out at a heat , on the spur of the occasion ...
الصفحة 453
In the latter , there is a gradual ascent from the simplest forms of conversation to the language of impassioned intellect , yet the intellect still remaining the seat of passion : in the former , the invocation is at once made to the ...
In the latter , there is a gradual ascent from the simplest forms of conversation to the language of impassioned intellect , yet the intellect still remaining the seat of passion : in the former , the invocation is at once made to the ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote