Shakespeare and His Critics |
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النتائج 1-3 من 77
الصفحة 310
You must not suppose a pressure or passion always acting in or on a character !passion in ... He entered into no analysis of the passions or faiths of men , but assured himself that such and such passions and faiths were grounded in our ...
You must not suppose a pressure or passion always acting in or on a character !passion in ... He entered into no analysis of the passions or faiths of men , but assured himself that such and such passions and faiths were grounded in our ...
الصفحة 432
The height of moral argument which the author has maintained in the intervals of passion or blended with the more powerful impulses of nature , is hardly surpassed in any of his plays . But there is in general a want of passion ...
The height of moral argument which the author has maintained in the intervals of passion or blended with the more powerful impulses of nature , is hardly surpassed in any of his plays . But there is in general a want of passion ...
الصفحة 486
For what remains , the excellency of that poet ( Shakespeare ] was , as I have said , in the more manly passions ... Friendship is both a virtue and a passion essentially ; love is a passion only in its nature , and is not a virtue but ...
For what remains , the excellency of that poet ( Shakespeare ] was , as I have said , in the more manly passions ... Friendship is both a virtue and a passion essentially ; love is a passion only in its nature , and is not a virtue but ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote