Shakespeare and His Critics |
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النتائج 1-3 من 45
الصفحة 185
These inconsistencies are sometimes forced on Shakespeare by the exigencies of the plots which , as Johnson remarked ... Shakespeare rarely troubled to invent a plot , though he would generally modify it and add new situations and ...
These inconsistencies are sometimes forced on Shakespeare by the exigencies of the plots which , as Johnson remarked ... Shakespeare rarely troubled to invent a plot , though he would generally modify it and add new situations and ...
الصفحة 238
The Plot is the first principle , and , as it were , the soul of a tragedy : Character holds the second place . Third in order is Thought . Fourth among the elements enumerated comes Diction . Of the remaining elements Song holds the ...
The Plot is the first principle , and , as it were , the soul of a tragedy : Character holds the second place . Third in order is Thought . Fourth among the elements enumerated comes Diction . Of the remaining elements Song holds the ...
الصفحة 402
The interest of the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvass and no more . Hence arises the true justification of the same stratagem being used in ...
The interest of the plot is always in fact on account of the characters , not vice versa , as in almost all other writers ; the plot is a mere canvass and no more . Hence arises the true justification of the same stratagem being used in ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote