Shakespeare and His Critics |
من داخل الكتاب
النتائج 1-3 من 37
الصفحة 35
Gentle thou art , and therefore to be won , Beauteous thou art , therefore to be assailed , a and the fact that the reference to Shakespeare and his Lucrece in the commendatory verses affixed to the poem is the first known literary ...
Gentle thou art , and therefore to be won , Beauteous thou art , therefore to be assailed , a and the fact that the reference to Shakespeare and his Lucrece in the commendatory verses affixed to the poem is the first known literary ...
الصفحة 43
This return to the scenes of his early life seems to have affected Shakespeare's imagination strongly , for all through the plays of this period run references to the Warwickshire and Gloucestershire countryside , their villages and ...
This return to the scenes of his early life seems to have affected Shakespeare's imagination strongly , for all through the plays of this period run references to the Warwickshire and Gloucestershire countryside , their villages and ...
الصفحة 228
The significance of these references will be appreciated if we examine one of the visual proofs of a a a Bacon's ... Scores of examples can be found where on page 53 some reference is made to Bacon in books published under various names ...
The significance of these references will be appreciated if we examine one of the visual proofs of a a a Bacon's ... Scores of examples can be found where on page 53 some reference is made to Bacon in books published under various names ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote