Shakespeare and His Critics |
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النتائج 1-3 من 81
الصفحة 289
a comic scenes , he seems to produce , without labour , what no labour can improve . In tragedy he is always struggling after some occasion to be comic ; but in comedy he seems to repose , or to luxuriate , as in a mode of thinking ...
a comic scenes , he seems to produce , without labour , what no labour can improve . In tragedy he is always struggling after some occasion to be comic ; but in comedy he seems to repose , or to luxuriate , as in a mode of thinking ...
الصفحة 302
tively affect us , that while the impulses , the inner mind in all its perverted greatness , solely seems real and is exclusively attended to , the crime is comparatively nothing . But when we see these things represented , the acts ...
tively affect us , that while the impulses , the inner mind in all its perverted greatness , solely seems real and is exclusively attended to , the crime is comparatively nothing . But when we see these things represented , the acts ...
الصفحة 426
By the speeches given to the leaders of the Grecian host , Shakespear seems to have known them as well as if he had been a spy sent by the Trojans into the enemy's camp — to say nothing of their affording very lofty examples of didactic ...
By the speeches given to the leaders of the Grecian host , Shakespear seems to have known them as well as if he had been a spy sent by the Trojans into the enemy's camp — to say nothing of their affording very lofty examples of didactic ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote