Shakespeare and His Critics |
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النتائج 1-3 من 78
الصفحة 81
There were really three stages : the main or apron stage , with trap - doors , some five feet high and projecting into the court ; at the back of the apron was an inner stage flanked by dressing - rooms , and above it was the gallery ...
There were really three stages : the main or apron stage , with trap - doors , some five feet high and projecting into the court ; at the back of the apron was an inner stage flanked by dressing - rooms , and above it was the gallery ...
الصفحة 242
The inner stage had been enlarged and withdrawn inside a proscenium arch , and though there was still an apron stage on which the actor could be seen in the round , and could audibly declaim the poetry of Shakespeare and the verse of ...
The inner stage had been enlarged and withdrawn inside a proscenium arch , and though there was still an apron stage on which the actor could be seen in the round , and could audibly declaim the poetry of Shakespeare and the verse of ...
الصفحة 252
Then in 1811 came his essay On the Tragedies of Shakespeare , considered with reference to their fitness for Stage Representation , with its passionate and typically Romantic plea for the liberty of the imagination and its emancipation ...
Then in 1811 came his essay On the Tragedies of Shakespeare , considered with reference to their fitness for Stage Representation , with its passionate and typically Romantic plea for the liberty of the imagination and its emancipation ...
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المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote