Shakespeare and His CriticsDuckworth, 1949 - 522 من الصفحات |
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النتائج 1-3 من 76
الصفحة 81
... stages : the main or apron stage , with trap - doors , some five feet high and projecting into the court ; at the back of the apron was an inner stage flanked by dressing - rooms , and above it was the gallery which served as an upper stage ...
... stages : the main or apron stage , with trap - doors , some five feet high and projecting into the court ; at the back of the apron was an inner stage flanked by dressing - rooms , and above it was the gallery which served as an upper stage ...
الصفحة 242
... stage had been enlarged and withdrawn inside a proscenium arch , and though there was still an apron stage on which the actor could be seen in the round , and could audibly declaim the poetry of Shakespeare and the verse of Dryden , by ...
... stage had been enlarged and withdrawn inside a proscenium arch , and though there was still an apron stage on which the actor could be seen in the round , and could audibly declaim the poetry of Shakespeare and the verse of Dryden , by ...
الصفحة 252
... Stage Representation , with its passionate and typically Romantic plea for the liberty of the imagina- tion and its emancipation from the tyranny of the stage . " The Lear of Shakespeare cannot be acted ' , he roundly declares , and he ...
... Stage Representation , with its passionate and typically Romantic plea for the liberty of the imagina- tion and its emancipation from the tyranny of the stage . " The Lear of Shakespeare cannot be acted ' , he roundly declares , and he ...
المحتوى
FROM FIRST FOLIO Frontispiece | 40 |
SHAKESPEARES MONUMENT IN STRATFORD CHURCH facing page | 67 |
PLAYWRIGHTS AND PLAYERS | 73 |
حقوق النشر | |
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acted action actor Antony Bacon beauty character Cleopatra Coleridge comedy Coriolanus criticism Cymbeline daughter death dramatic dramatist Dryden Elizabethan English eyes Falstaff feeling Fletcher Folio genius Hamlet hath haue HAZLITT Heminge Henry Henry VI hero honour human humour imagery images imagination Jaggard John Johnson Julius Cæsar King Lear labour living London Lord Love's Labour's Lost Macbeth Maiesties Marlowe merely mind moral nature never night noble Othello Palladis Tamia passages passion performance perhaps Pericles players plot poem poet poetry Prince prose published Quarto rhyme Richard Richard II Romeo and Juliet scene seems sense Seruants Shake Shakespeare's plays Shrew Sonnets speak speare speare's speech stage Stratford Tempest theatre thee things Thomas thou thought Timon Titus Andronicus tragedy tragic Troilus and Cressida true Venus and Adonis verse vnto whole William Shakespeare Winter's Tale words writing written wrote