Shakespeare and His Critics |
من داخل الكتاب
النتائج 1-3 من 87
الصفحة 295
And no wonder ; —he scatters the seeds of things , the principles of character and action , with so cunning a hand yet with so careless an air , and , master of our feelings , submits himself so little to our judgment , that every thing ...
And no wonder ; —he scatters the seeds of things , the principles of character and action , with so cunning a hand yet with so careless an air , and , master of our feelings , submits himself so little to our judgment , that every thing ...
الصفحة 303
And if things must be represented , I see not what to find fault with in this . But in reading , I what robe are we conscious of ? ... This is the inevitable consequence of imitating every thing , to make all things natural .
And if things must be represented , I see not what to find fault with in this . But in reading , I what robe are we conscious of ? ... This is the inevitable consequence of imitating every thing , to make all things natural .
الصفحة 325
But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different thing from the tragic ' action ' ) , for the kind of interest which predominates in a novel like The Woman in White , it is clear that he ...
But for the opposite extreme , for the abstraction of mere ' plot ' ( which is a very different thing from the tragic ' action ' ) , for the kind of interest which predominates in a novel like The Woman in White , it is clear that he ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote