Shakespeare and His Critics |
من داخل الكتاب
النتائج 1-3 من 83
الصفحة 194
dramatic employment of the convention ; they are not merely superficial pieces of information handed out to the audience like Richard's and Henry's , but by virtue of their thought , language , imagery , even of their rhythms ...
dramatic employment of the convention ; they are not merely superficial pieces of information handed out to the audience like Richard's and Henry's , but by virtue of their thought , language , imagery , even of their rhythms ...
الصفحة 331
1815 , or in 1860 , or in 1880 , is to show that he felt and thought as we felt and thought in 1927 , then we must accept gratefully that alternative . . . That Shakespeare deliberately took a ' view of life ' from Seneca there seems to ...
1815 , or in 1860 , or in 1880 , is to show that he felt and thought as we felt and thought in 1927 , then we must accept gratefully that alternative . . . That Shakespeare deliberately took a ' view of life ' from Seneca there seems to ...
الصفحة 499
... would constitute a poet , though not one of the highest class ; —it is , however , a most hopeful symptom , and the Venus and Adonis is one continued specimen of it . In this beautiful poem there is an endless activity of thought in ...
... would constitute a poet , though not one of the highest class ; —it is , however , a most hopeful symptom , and the Venus and Adonis is one continued specimen of it . In this beautiful poem there is an endless activity of thought in ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote