Shakespeare and His Critics |
من داخل الكتاب
النتائج 1-3 من 93
الصفحة 102
Speaking generally , we can say that the first period is one of rhyming verse , the second of prose , and the third and fourth of blank verse . This , of course , is a very sweeping generalisation and must be taken relatively , for two ...
Speaking generally , we can say that the first period is one of rhyming verse , the second of prose , and the third and fourth of blank verse . This , of course , is a very sweeping generalisation and must be taken relatively , for two ...
الصفحة 105
But blank verse was to be the great vehicle of Shakespeare's mature style , verse in which language and character , poetry and drama are one , in which the poetic means and the dramatic end are indistinguishable .
But blank verse was to be the great vehicle of Shakespeare's mature style , verse in which language and character , poetry and drama are one , in which the poetic means and the dramatic end are indistinguishable .
الصفحة 175
Shakespeare , of course , did not abandon verse ; he used it almost as much as prose , but it is verse with a difference , verse that has learned much from its contact with prose . It is less elaborate , almost simple : not only is ...
Shakespeare , of course , did not abandon verse ; he used it almost as much as prose , but it is verse with a difference , verse that has learned much from its contact with prose . It is less elaborate , almost simple : not only is ...
ما يقوله الناس - كتابة مراجعة
لم نعثر على أي مراجعات في الأماكن المعتادة.
المحتوى
PREFACE vii | 11 |
PLAYWRIGHTS AND PLAYERS | 73 |
QUARTOS AND Folios | 199 |
حقوق النشر | |
6 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted action actor appear beauty better called character comedy criticism daughter death doubt drama effect Elizabethan English expression eyes fact feeling Folio force genius give Hamlet hand hath Henry Holinshed human images imagination interest John Johnson kind King language Lear less light living London look Lord lost Macbeth manner matter means merely mind moral nature never night once original Othello passages passion performance perhaps persons Plautus plays plot poem poet poetry possible present printed probably produced published Quarto reader reason reference Richard Romeo scene seems seen sense Shake Shakespeare speak speech stage Stratford theatre things Thomas thou thought tragedy true truth turn verse whole writing written wrote
معلومات المراجع
| العنوان | Shakespeare and His Critics |
| المؤلف | Frank Ernest Halliday |
| الإصدار | معاد طباعته, تمت مراجعته |
| الناشر | Duckworth, 1949 |
| أصلي من | جامعة ميتشيغان |
| الكتب ذات التنسيق الرقمي | 19 أيلول (سبتمبر) 2006 |
| عدد الصفحات | 522 من الصفحات |
| تصدير الاقتباس | BiBTeX EndNote RefMan |