Blake's Prelude: "Poetical Sketches"Johns Hopkins University Press, 1982 - 202 من الصفحات |
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النتائج 1-3 من 31
الصفحة 19
... contrast sharply with the prevailing visual climate of the rest of the poem - and most particularly with Blake's reworking of the psalm in lines 34-35 . That he recognized at least the possibilities inherent in the contrast is evidenced ...
... contrast sharply with the prevailing visual climate of the rest of the poem - and most particularly with Blake's reworking of the psalm in lines 34-35 . That he recognized at least the possibilities inherent in the contrast is evidenced ...
الصفحة 38
... Contrast , then , is essentially inert , a noninteractive ( and , more crucially , abstract ) relationship between " two real existing principles " or objects . Just as " Demonstration Similitude & Harmony are Objects of Reasoning ...
... Contrast , then , is essentially inert , a noninteractive ( and , more crucially , abstract ) relationship between " two real existing principles " or objects . Just as " Demonstration Similitude & Harmony are Objects of Reasoning ...
الصفحة 48
... contrast with each other and those that interact antithetically with each other , or within themselves , may be derived from the poems orbiting in one way or another around Mad Song . Its obvious oppositeness , however deepened beyond ...
... contrast with each other and those that interact antithetically with each other , or within themselves , may be derived from the poems orbiting in one way or another around Mad Song . Its obvious oppositeness , however deepened beyond ...
المحتوى
The Muses of Memory | 16 |
Antithetical Structure | 37 |
Cycle and Anticycle | 57 |
حقوق النشر | |
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allusion already Angel Apocalypse appears become Bible biblical Blake's Book borrowed called cited clearly comes conception concluding Contemplation context contrast conventional Couch of Death course critical dark Death despite earlier early earth Edward the Third English entire Erdman Essays eternal example experience eyes fact Fair final four Genius glory hand heaven human idea imaginative imitation Innocence John kind King language later least less light lines lost merely Michael Milton mind Morning Muses nature night noted once opening original Paradise passage perhaps phrase play poem poet Poetical Sketches poetry Princeton progress prophecy prophetic rise Samson Satan says seasons seems sense Song speaker Spenser Spring stanza Star structure Studies suggested Summer surely sweet things Thomson tion tradition true truth turn University Press vision voice William Blake Winter youth