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to which we have adverted, as connected with the progress of taste. It pleases the more before the taste has attained the period of refined cultivation, because we are then less sensible of the defects of his style, and are most susceptible of that indistinct feeling of awe which the gothic gloom of his poetry is adapted to excite, It pleases us as age advances, on account of the sympathetic views of life, which make the poetry of Young seem to an old man doubly natural. The author had passed his sixtieth year when he published the First Night; and there is, it must be owned, something of the querulousness, as well as the sageness of age, in the general strain of his sentiments. But his long Complaint terminates, as it should do, in Consolation: and the Ninth Night is the one, which, next to the first three, is the most generally read and the most frequently adverted to.

Edward Young, the son of Dr. Edward Young, Dean of Sarum, was born at Upham, near Winchester, in 1681. He received his education at Winchester College, from whence he was removed to the university of Oxford, and in 1708 he was nominated to a law fellowship at All Souls, by Archbishop Tenison. In 1716, he was appointed to speak the Latin oration, on occasion of the laying of the foundation of the Codrington library. His first poetical adventure was an epistle to the Right Honourable George, Lord Lansdowne, published in 1712. In this poem, he began the siege of patronage in which we find him still engaged, and still unsuccessfully, in the very decline of life.

"Twice told the period spent on stubborn Troy,
Court favour, yet untaken I besiege."

Young was not, however, a neglected, though he was a disappointed man. He enjoyed some splendid intimacies. Among his early patrons ranks the infamous Marquis of Wharton, with whom, in the beginning of 1717, he travelled into Ireland; but of this unenviable patronage, Young afterward took pains to efface the remembrance.

While attached to the Exeter family, Young stood a contested election for Cirencester. He subsequently took orders, and became, we are informed, a very popular preacher.

His satires appeared at successive intervals between the years 1725 and 1728. It is said that they produced him no less a sum than three thousand pounds; but he was a considerable loser by the "South-sea Dream."

In July, 1730, he was presented by his college to the rectory of Welwyn, in Hertfordshre. In the following year he married Lady Elizabeth Lee, daughter of the

Earl of Litchfield, and widow of Colonel Lee. She died in 1741. Mr. and Mrs. Temple, the daughter and son-in-law of Lady Elizabeth by her former husband, are supposed to be the PHILANDER and NARCISSA of the NIGHT THOUGHTS; notwithstanding a passage which would seem to intimate that the three persons whose deaths he lamented, died within a few months of each other; whereas Mrs. Temple died of a consumption, at Lyons, in 1736, Mr. Temple, in 1740 but the variation was perhaps ventured on the ground of poetical license.

The NIGHT THOUGHTS were begun immediately after the death of Lady Elizabeth. The preface to the Seventh Night is dated July the 7th, 1744. A scandalous and inhuman report has attributed to LORENZO, a real existence in the person of the author's own son. On a comparison of dates, it appears that the supposed Lorenzo was only eight years of age when young sat down to the composition of the NIGHT THOUGHTS.

In 1762, he published "Resignation ;" a surprising display of unimpaired faculty at fourscore years of age! In April, 1765, he expired, having retained his intellects to the last. Only four years before, "good Dr Young,"

"Who thought even gold might come a day too late,"

was appointed clerk of the closet to the Princess Dowager. Of the only two friends whom he had to inen. tion in his will, viz. his housekeeper, and his "friend Henry Stevens, a hatter, at the Temple gate," one died a little time before him :

"Ah me! the dire effect

"Of loitering here, of death defrauded long.”

3

THE COMPLAINT.

NIGHT THE FIRST.

ON LIFE, DEATH, AND IMMORTALITY.

TO THE RIGHT HONOURABLE ARTHUR ONSLOW, ESQ. SPEAKER OF THE HOUSE OF COMMONS.

TIRED Nature's sweet restorer, balmy Sleep!
He like the world, his ready visit pays

Where Fortune smiles! the wretched he forsakes:
Swift on his downy pinion flies from woe,
And lights on lids unsullied with a tear.

From short (as usual) and disturbed repose,

1 wake; how happy they, who wake no more! Yet that were vain, if dreams infest the grave. I wake, emerging from a sea of dreams

Tumultuous; where my wreck'd desponding thought, From wave to wave of fancied misery,

At random drove, her helm of reason lost.

Though now restor'd, 'tis only change of pain;

(A bitter change!) severer for severe :

The day too short for my distress; and night,
Even in the zenith of her dark domain,
Is sunshine to the colour of my fate.

Night, sable goddess! from her ebon throne,

In rayless majesty, now stretches forth
Her leaden sceptre o'er a slumbering world.
Silence how dead! and darkness how profound!
Nor eye, nor listening ear, an object finds:
Creation sleeps. 'Tis as the general pulse
Of life stood still, and nature made a pause;
An awful pause! prophetic of her end.
And let her prophecy be soon fulfill'd:
Fate drop the curtain; I can lose no more.
Silence and Darkness! solemn sisters! twins

From ancient Night, who nurse the tender thought
To reason, and on reason build resolve
(That column of true majesty in man,)
Assist me I will thank you in the grave;

The grave, your kingdom. There this frame shall fall
A victim sacred to your dreary shrine.

But what are ye?

THOU, who didst put to flight

Primeval Silence, when the morning stars,
Exulting, shouted o'er the rising ball;

O THOU, whose word from solid darkness struck
That spark, the sun; strike wisdom from my soul;
My soul, which flies to Thee, her trust, her treasure,
As misers to their gold, while others rest.

Through this opaque of nature, and of soul,
This double night, transmit one pitying ray,
To lighten and to cheer. Oh lead my mind
(A mind that fain would wander from its woe,)
Lead it through various scenes of life and death,
And from each scene she noblest truths inspire.
Nor less inspire my conduct, than my song:
Teach my best reason, reason; my best will
Teach rectitude; and fix my firm resolve,
Wisdom to wed, and pay her long arrear:
Nor let the phial of thy vengeance pour'd
On this devoted head, be pour'd in vain.

The bell strikes one. We take no note of time
But from its loss. To give it then a tongue
Is wise in man. As if an angel spoke,

I feel the solemn sound. If heard aright,
It is the knell of my departed hours:

Where are they? With the years beyond the flood
It is the signal that demands dispatch:

How much is to be done! My hopes and fears
Start up alarm'd, and o'er life's narrow verge
Look down-on what? a fathomless abyss;
A dread eternity! how surely mine!
And can eternity belong to me,

Poor pensioner on the bounties of an hour?
How poor, how rich, how abject, how august,
How complicate, how wonderful, is man!
How passing wonder HE, who made him such!
Who centred in our make such strange extremes.
From different natures marvelously mixt,
Connexion exquisite of distant worlds!
Distinguish'd link in being's endless chain !
Midway from nothing to the Deity!
A beam ethereal, sullied and absorb'd!
Though sullied, and dishonour'd, still divine!
Dim miniature of greatness absolute!
An heir of glory! a frail child of dust!.

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