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rors in his grisly palace! . . . As I was writing out this passage, my miniature-picture when a child lay on the mantle-piece, and I took it out of the case to look at it. I could perceive few traces of myself in it; but there was the same plaicd brow, the dimpled mouth, the same timid, inquisitive glance as ever. But its careless smile did not seem to reproach me with having become a recreant to the sentiments that were then sown in my mind, or with having written a sentence that could call up a blush in this image of ingenuous youth!

"That time is past with all its giddy raptures." Since the future was barred to my progress, I have turned for consolation to the past, gathering up the fragments of my early recollections, and putting them into a form that might live. It is thus, that when we find our personal and substantial identity vanishing from us, we strive to gain a reflected and substituted one in our thoughts: we do not like to perish wholly, and wish to bequeath our names at least to posterity. As long as we can keep alive our cherished thoughts and nearest interests in the minds of others, we do not appear to have retired altogether from the stage, we still occupy a place in the estimation of mankind, exercise a powerful influence over them, and it is only our bodies that are trampled into dust or dispersed to air. Our darling speculations still find favour and encouragement, and we make as good a figure in the eyes of our descendants, nay, perhaps, a better than we did in our life-time. This is one point gained; the demands of our self-love are so far satisfied. Besides, if by the proofs of intellectual superiority we survive ourselves in this world, by exemplary virtue or unblemished faith we are taught to ensure an interest in another and a higher

state of being, and to anticipate at the same time the applauses of men and angels.

Even from the tomb the voice of nature cries;
Even in our ashes live their wonted fires.

As we advance in life, we acquire a keener sense of the value of time. Nothing else, indeed, seems of any consequence; and we become misers in this respect. We try to arrest its few last tottering steps, and to make it linger on the brink of the grave. We can never leave off wondering how that which has ever been should cease to be, and would still live on, that we may wonder at our own shadow, and when "all the life of life is flown," dwell on the retrospect of the past. This is accompanied by a mechanical tenaciousness of whatever we possess, by a distrust and a sense of fallacious hollowness in all we see. Instead of the full, pulpy feeling of youth, everything is flat and insipid. The world is a painted witch, that puts us off with false shews and tempting appearances. The ease, the jocund gaiety, the unsuspecting security of youth are fled: nor can we, without flying in the face of common

sense,

From the last dregs of life, hope to receive
What its first sprightly runnings could not give.

If we can slip out of the world without notice or mischance, can tamper with bodily infirmity, and frame our minds to the becoming composure of still-life, before we sink into total insensibility, it is as much as we ought to expect. We do not in the regular course of nature die all at once: we have mouldered away gradually long before; faculty after faculty, attachment after attach

ment, we are torn from ourselves piece-meal while living; year after year takes something from us; and death only consigns the last remnant of what we were to the grave. The revulsion is not so great, and a quiet euthanasia is a winding-up of the plot, that is not out of reason or nature.

That we should thus in a manner outlive ourselves, and dwindle imperceptibly into nothing, is not surprising, when even in our prime the strongest impressions leave so little traces of themselves behind, and the last object is driven out by the succeeding one. How little effect is produced on us at any time by the books we have read, the scenes we have witnessed, the sufferings we have gone through! Think only of the variety of feelings we experience in reading an interesting romance, or being present at a fine play-what beauty, what sublimity, what soothing, what heart-rending emotions! You would suppose these would last for ever, or at least subdue the mind to a correspondent tone and harmony-while we turn over the page, while the scene is passing before us, it seems as if nothing could ever after shake our resolution, that "treason domestic, foreign levy, nothing could touch us farther!" The first splash of mud we get, on entering the street, the first pettifogging shop-keeper that cheats us out of twopence, and the whole vanishes clean out of our remembrance, and we become the idle prey of the most petty and annoying circumstances. The mind soars by an effort to the grand and lofty: it is at home in the grovelling, the disagreeable, and the little. This happens in the height and heyday of our existence, when novelty gives a stronger impulse to the blood and takes a faster hold of the brain (I have known the impression on coming out of a gallery of pictures then last half a day)—as we grow old, we become more feeble and querulous, every

a few

object "reverbs its own hollowness," and both worlds are not enough to satisfy the peevish importunity and extravagant presumption of our desires! There are superior, happy beings, who are born with a temper exempt from every trifling annoyance. This spirit sits serene and smiling as in its native skies, and a divine harmony (whether heard or not) plays around them. This is to be at peace. Without this, it is in vain to fly into deserts, or to build a hermitage on the top of rocks, if regret and ill-humour follow us there: and with this, it is needless to make the experiment. The only true retirement is that of the heart; the only true leisure is the repose of the passions. To such persons it makes little difference whether they are young or old; and they die as they have lived, with graceful resignation.

WILLIAM MAKEPEACE
THACKERAY (1811-1863)

DE FINIBUS

THEN Swift was in love with Stella, and despatching her a letter from London thrice a month, by the Irish packet, you may remember how he would begin Letter No. xxiii, we will say, on the very day when xxii had been sent away, stealing out of the coffee-house or the assembly so as to be able to prattle with his dear; "never letting go her kind hand, as it were," as some commentator or other has said in speaking of the Dean and his amour. When Mr. Johnson, walking to Dodsley's, and touching the posts in Pall Mall as he walked, forgot to pat the head of one of them, he went back and imposed his hands on it,-impelled I know not by what superstition. I have this I hope not dangerous mania too. As soon as a piece of work is out of hand, and before going to sleep, I like to begin another; it may be to write only half-a-dozen lines: but that is something towards Number the Next. The printer's boy has not yet reached Green Arbour Court with the copy. Those people who were alive half-an-hour since, Pendennis, Clive Newcome, and (what do you call him? what was the name of the last hero? I remember now!) Philip Firmin, have hardly drunk their glass of wine, and the mammas have only this minute got the children's cloaks on, and have been bowed out of my premises—and here I

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