The Annotated Waste Land with Eliot's Contemporary ProseYale University Press, 01/01/2006 - 270 من الصفحات The definitive edition of the most influential poem of the twentieth centuryOne of the twentieth century’s most powerful—and controversial—works, The Waste Land was published in the desolate wake of the First World War. This definitive edition of T. S. Eliot’s masterpiece presents a new and authoritative version of the poem, along with all the essays Eliot wrote as he was composing The Waste Land, seven of them never before published in book form. The volume is enriched with period photographs and a London map of locations mentioned in the poem.Featured in the book are Lawrence Rainey’s groundbreaking account of how The Waste Land came to be composed; a history of the reactions of admirers and critics; and full annotations to the poem and Eliot’s essays. The edition transforms our understanding of one of the greatest modernist writers and the magnificent poem that became a landmark in literary history. |
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... June 1915. One contemporary observer, Aldous Huxley, thought their relationship was a matter of sexual attraction: “I met Mrs. E. for the first time and perceived that it is almost entirely a sexual nexus between Eliot and her: one sees ...
... June 1915. One contemporary observer, Aldous Huxley, thought their relationship was a matter of sexual attraction: “I met Mrs. E. for the first time and perceived that it is almost entirely a sexual nexus between Eliot and her: one sees ...
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... June 1900, it was already complete by 1906. In 1903 the London County Council, which held a monopoly of tramways in inner London, began its electrification program for trams, and by 1914 electric trams were seen on most main roads ...
... June 1900, it was already complete by 1906. In 1903 the London County Council, which held a monopoly of tramways in inner London, began its electrification program for trams, and by 1914 electric trams were seen on most main roads ...
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... June 1917 Eliot was appointed assistant editor of the Egoist, a position he held until the end of 1918. His salary was £36 per year, £12 of which was secretly provided by Ezra Pound from money furnished by John Quinn, an American lawyer ...
... June 1917 Eliot was appointed assistant editor of the Egoist, a position he held until the end of 1918. His salary was £36 per year, £12 of which was secretly provided by Ezra Pound from money furnished by John Quinn, an American lawyer ...
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... , but the final manuscript was not posted to the publisher until 9 August, more than two months late. Then there was the flat at Crawford Mansions, which he and Vivien had “come to loathe on account of the noise and sordidness.” In June.
... , but the final manuscript was not posted to the publisher until 9 August, more than two months late. Then there was the flat at Crawford Mansions, which he and Vivien had “come to loathe on account of the noise and sordidness.” In June.
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... June he began searching for another and was horrified to learn that many were priced at “two to four times what we pay now” (LOTSE, 390). Housing exemplified in acute form the general surge in prices which followed in the immediate ...
... June he began searching for another and was horrified to learn that many were priced at “two to four times what we pay now” (LOTSE, 390). Housing exemplified in acute form the general surge in prices which followed in the immediate ...
المحتوى
A Note on the Text | |
London Letter March 1921 | |
Prose and Verse | |
John Dryden | |
London Letter September 1921 | |
SELECTED BIBLIOGRAPHY | |
INDEX TO ELIOTS CONTEMPORARY PROSE | |
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American Andrew Marvell appeared ballet Bank Baudelaire Boni and Liveright Brace Cambridge century Charles church City conceives an aversion Conrad Aiken contemporary Cowley Criterion critic Dante death Dial Donne Duchess of Malfi early edition Eliot is quoting Eliot wrote Eliot’s note England English essay Ezra Pound Faber and Faber fire French George Goonight H Note Harcourt Harold Monro Henry Hogarth James Sibley Watson January John Dryden journal July June King Laforgue lines literature Lloyds London Letter Lord LOTSE March Marvell’s metaphysical poets Milton modern Monro music hall November Oxford Paris passage performance play poem’s poetic poetry Procne publication published reader reprinted Review Robert satire Scofield Thayer September Shantih Shaw song Street style T. S. Eliot Tereus Theatre Thomas Tiresias translated TWL:AF University Press Valerie Eliot Vivien Waste Land Watson Weston’s William words writing York