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PART II.

LETTER
III.

Interested

spectators.

necessary to the justice of our conclusions that we should think disinterestedly if we pretend to think at all! It is true that we have one circumstance in our favour-we are not French subjects, and this is much. Still we are not disinterested, since we know that the settlement of a great political problem such as this, even though on foreign soil, cannot fail to have a powerful influence on opinion in our own country, and consequently upon the institutions of our native land. We are spectators only, it is true; but we are far from being disinterested spectators. And if you desire to measure the exact degree to which we are interested in the result, you need only look at the newspapers. The English newspapers always treat French affairs from the standpoint of their own party. The Conservative journalist in England is Journalists. a Monarchist in France, and has no hopes for the Republic; the Liberal journalist in England believes. that the French dynasties are used up, and sees no chance of tranquillity outside of republican institutions. In both cases there is an impediment to the intellectual appreciation of the problem.

poems.

This difficulty is so strongly felt by those who write Subjects for and read the sort of literature which aspires to permanence, and which, therefore, ought to have a substantial intellectual basis, that either our distinguished poets choose their subjects in actions long past and half forgotten, or else, when tempted by present excitement, they produce work which is artistically far inferior. to their best. Our own generation has witnessed three remarkable events which are poetical in the highest degree. The conquest of the Two Sicilies by Garibaldi is a most perfect subject for a heroic poem; the events which led to the execution of the Emperor Maximilian

F

LETTER

111.

Recent

poems.

PART II. and deprived his Empress of reason, would, in the hands of a great dramatist, afford the finest possible material for a tragedy; the invasion of France by the Germans, subjects for the overthrow of Napoleon III., the siege of Paris, are an epic ready to hand that only awaits its Homer; yet, with the exception of Victor Hugo, who is far gone in intellectual decadence, no great poet has sung of these things yet. The subjects are as good as can be, but too near. Neither poet nor reader is disinterested enough for the intellectual enjoyment of these subjects: the poet would not see his way clearly, the reader would not follow unreservedly.

It may be added, however, in this connection, that even past history is hardly ever written disinterestedly. Historians. Historians write with one eye on the past and the other on the pre-occupations of the present. So far as they do this they fall short of the intellectual standard. An ideally perfect history would tell the pure truth, and all the truth, so far as it was ascertainable.

Artists.

Dead languages

Artists are seldom good critics of art, because their own practice biasses them, and they are not disinterested. The few artists who have written soundly about art have succeeded in the difficult task of detaching saying from doing; they have, in fact, become two distinct persons, each oblivious of the other.

The strongest of all the reasons in favour of the study of the dead languages and the literatures preserved in. them, has always appeared to me to consist in the more perfect disinterestedness with which we moderns can approach them. The men and events are separated from us by so wide an interval, not only of time and locality, but especially of modes of thought, that our passions are not often enlisted, and the intellect is sufficiently free.

It may be noted that medical men, who are a scientific class, and therefore more than commonly aware of the great importance of disinterestedness in intellectual action, never trust their own judgment when they feel the approaches of disease. They know that it is difficult for a man, however learned in medicine, to arrive at accurate conclusions about the state of a human body that concerns him so nearly as his own, even although the person who suffers has the advantage of actually experiencing the morbid sensations.

To all this you may answer that intellectual disinterestedness seems more an accident of situation than a virtue. The virtue is not to have it, but to seek it in all earnestness; to be ready to accept the truth even when it is most unfavourable to ourselves. I can illustrate my meaning by a reference to a matter of everyday experience. There are people who cannot bear to look into their own accounts from a dread that the clear revelation of figures may be less agreeable to them than the illusions which they cherish. There are others who possess a kind of virtue which enables them to see their own affairs as clearly as if they had no personal interest in them. The weakness of the first is one of the most fatal of intellectual weaknesses; the mental independence of the second is one of the most desirable of intellectual qualities. The endeavour to attain it, or to strengthen it, is a great virtue, and of all the virtues the one most indispensable to the nobility of the intellectual life.

NOTE.-The reader may feel some surprise that I have not mentioned honesty as an important intellectual virtue. Honesty is of great importance, no doubt, but it appears to be (as to practical effects) included in disinterestedness, and to be less comprehensively useful. There is no reason to suspect the honesty of many political

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PART II.
LETTER
III.

and theological partisans, yet their honesty does not preserve them from the worst intellectual habits, such as the habit of "begging the question," of misrepresenting the arguments on the opposite side, of shutting their eyes to every fact which is not perfectly agreeable to them. The truth is, that mere honesty, though a most respectable and necessary virtue, goes a very little way towards the forming of an effective intellectual character. It is valuable rather in the relations of the intellectual man to the outer world around him, and even here it is dangerous unless tempered by discretion. A perfect disinterestedness would ensure the best effects of honesty, and yet avoid some serious evils, against which honesty is not, in itself, a safeguard.

LETTER
IV.

not

polemical.

LETTER IV.

TO A MORALIST WHO SAID THAT INTELLECTUAL CULTURE WAS
NOT CONDUCIVE TO SEXUAL MORALITY.

That the Author does not write in the spirit of advocacy-Two different kinds of immorality-Byron and Shelley-A peculiar temptation for the intellectual-A distinguished foreign writerReaction to coarseness from over-refinement-Danger of intellectual excesses-Moral utility of culture-The most cultivated classes at the same time the most moral-That men of high intellectual aims have an especially strong reason for moralityM. Taine's opinion.

The Author A CRITIC in one of the quarterlies once treated me as a feeble defender of my opinions, because I gave due consideration to both sides of a question. He said that, like a wise commander, I capitulated beforehand in case my arguments did not come up for my relief; nay, more, that I gave up my arms in unconditional surrender. To this let me answer, that I have nothing to do with the polemical method, that I do not look upon an opponent as an enemy to be repelled, but as a torch-bearer to be welcomed for any light that he may bring; that I

defend nothing, but try to explore everything that lies PART II. near enough.

LETTER
IV.

of the intellectual.

You need not expect me, therefore, to defend very Immorality An vigorously the morality of the intellectual life. advocate could do it brilliantly; there are plenty of materials, but so clumsy an advocate as your present correspondent would damage the best of causes by unseasonable indiscretions. So I begin by admitting that| your accusations are most of them well founded. Many intellectual people have led immoral lives, others have led lives which, although in strict conformity to their own theories of morality, were in opposition to the morality of their country and their age. Byron is a good instance of the first, and Shelley of the second. Byron was really and knowingly immoral; Shelley, on the other hand, hated what he considered to be immorality, and lived a life as nearly as possible in accordance with the moral ideal in his own conscience; still he did not respect the moral rule of his country, but lived with Mary Godwin, whilst Harriet, his first wife, was still alive. There is a clear distinction between the two cases; yet both have the defect that the person takes in hand the regulation of his own morality, which it is hardly safe for anyone to do, considering the prodigious force of passion.

I find even in the lives of intellectual people a peculiar temptation to immorality from which others are exempt. It is in their nature to feel an eager desire for intellectual companionship, and yet at the same time to exhaust very rapidly whatever is congenial to them in the intellect of their friends. They feel a strong intellectual attraction to persons of the opposite sex; and the idea of living with a person whose conversation is believed at the time to promise an increasing interest, is attractive in ways of

Byron.

Shelley,

Ꭺ distinction.

A peculiar temptation.

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