صور الصفحة
PDF
النشر الإلكتروني

cital by a more punctilious exactness. Befides, I could not think it civil to introduce my friends upon the fcene, only to fhew them, as it were, for mutes; their politenefs to us, who were principals in the debate, being fuch as to restrain them from bearing any confiderable part in it. Yet this way of relation would, no doubt, have given fomething more of life to the sketch, I here fend you; as their prefence, you may believe, certainly did to the original converfation.

It is enough to say, that nothing more material, than what I have now related to you, passed on the occafion. For by this time the day was pretty well spent, and it was neceffary for us to withdraw to our feveral engagements.

FOR myself, I leave you to guess the effect which our philofopher's grave remonftrance left upon me. One thing you will think remarkable; that the part

of

of arraigning the present state of things fhould fall to my share; while he, at an age that is naturally querulous and diffatisfied, was employed in defending it. Whether this be a proof of his wisdom, or good fpirits, I pretend not to say. But it gave me a pleasure to hear the old man indulging himself in the prospect of better days, which, as young as we are, and as warmly as we wish to see them, you and I had always defpaired of.

LET

LETTER S

Ο Ν

CHIVALRY

AND

ROMANCE:

Serving to illustrate some

Paffages in the THIRD DIALOGUE.

Guarda, che mal fato,

O giovenil vaghezza non ti meni
Al magazino de le ciancie. ab fuggi,
Fuggi quell incantato alloggiamento.
Quivi babitan le maghe, che incantando
Fan traveder, e traudir ciascuno.

TASSO.

!

III. Characteristics of, accounted for.
IV. Heroic and Gothic manners, com-

pared.

v. Their differences, noted.

VI. Gothic manners more poetical, than
the Hercic.

VII. Their effect on SPENSER, MILTON,

SHAKESPEAR.

VIII. Faery Queen criticized-the me-
thod of that poem explained and
juftified.

IX. TASSO's Gier. Lib. confidered--

history of the Italian poetry.

x. Faery way of writing--vindicated.

XI. Gothic poetry, whence fallen into

difrepute.

XII. Steps of its decline, traced.

« السابقةمتابعة »