5.-Horror, Terror, and Alarm. MACBETH, [TO THE GHOST OF BANQUO.]-Shakspeare. “Avaunt! and quit my sight! Let the earth hide thee! Thou hast no speculation in those eyes Which thou dost glare with! [DYING REQUEST.] -Mrs. Hemans. "Leave me!-thy footstep with its lightest sound, Too strong for aught that lives and dies, to bear: ("Expulsive" utterance.) Rapture. [FROM THE DYING CHRISTIAN.] - Pope. "Hark! they whisper, — angels say, ("Explosive" utterance.) Terror. [FROM BYRON'S LINES ON THE EVE OF WATERLOO.] "The foe! they come, they come!" 1 "Suppressed force is not limited exclusively to the forms of the whisper or the half-whisper. Still, it is usually found in one or other of these; and, on this account, although sometimes intensely earnest and energetic in the expression of feeling, it is a gradation of utterance which, in point of " cality," ranks below even the "moderate" and "subdued" forms of "pure tone." We regard, at present, its value in vocal force, — not in " expression." vo Half-whisper. ("Effusive" utterance.) Awe. [FROM THE FATE OF MACGREGOR.] — Hogg. "They oared the broad Lomond, so still and serene; ("Expulsive" utterance.) Fear. "Few minutes had passed, ere they spied on the stream, ("Explosive" utterance.) Terror. "The fox fled in terror; the eagle awoke, And screwed the night-heaven, till lost in the blue!" [FROM THE DEATH OF KÖRNER.] - Mrs. Hemans. "It was thy spirit, brother! which had made 1 The degree of force implied in the epithet "subdued," is equivalent, in general, to that which, in music, would be indicated by the term "piano," and which suggests an obvious softening of the voice from even its moderate or ordinary energy. Pathos, solemnity, and tranquillity, when so arranged in succession, imply a slight increase of energy at every stage. But all three are still inferior to "moderate" or ordinary force. Ye were but two, and when that spirit passed, Woe to the one, the last! "Woe, yet not long; - she lingered but to trace But smile upon her, ere she went to rest. "The earth grew silent when thy voice departed, And flowers to wither at the north wind's breath, Thou hast all seasons for thine own, O Death! "We know when moons shall wane, When summer birds from far shall cross the sea, When autumn's hue shall tinge the golden grain : But who shall teach us when to look for thee?" 3.-Tranquillity. [EVENING.]-Moir. ""Tis twilight now: How deep is the tranquillity! - The trees A twilight gloom pervades the distant hills; 4.- Profound Repose. [ASPECT OF DEATH: FROM BYRON'S DESCRIPTION OF GREECE.] "He who hath bent him o'er the dead, Have swept the lines where Beauty lingers,) - weeps not, Some moments,-ay,- one treacherous hour, So fair, so calm, so softly sealed, The first-last look - by death revealed!" ("Orotund quality:" "Effusive" utterance.) WOLSEY, [ON HIS DOWNFALL.]-Shakspeare. 1 The effect of " orotund quality," as transcending "pure tone," is that of a deeper, fuller, rounder, and more resonant utterance, implying, therefore, an increase of force, although still a "subdued," or softened force, when compared with even an ordinary degree. In music, the distinction would still be that of "piano." Weary and old with service, to the mercy 2.- Solemnity and Sublimity. [IMMORTALITY.]— Dana. "Oh! listen, man! A voice within us speaks that startling word, 'Man, thou shalt never die!' Celestial voices Hymn it unto our souls; according harps, By angel fingers touched, when the mild stars Oh! listen ye, our spirits; drink it in From all the air. 'Tis in the gentle moonlight; As one vast mystic instrument, are touched Quiver with joy in this great jubilee. The dying hear it; and, as sounds of earth Grow dull and distant, wake their passing souls 3.-Tranquillity and Sublimity. "Around me are the stars and waters, Worlds mirrored in the ocean; And the great element, which is to space |