Lectures on the English LanguageC. Scribner, 1860 - 697 من الصفحات |
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الصفحة 13
... , which shows a very full system of varied terminations ; but the native language is learned by the ear , and the spoken tongue of France reduces its multitude of written endings to a very small list INTRODUCTORY . 13.
... , which shows a very full system of varied terminations ; but the native language is learned by the ear , and the spoken tongue of France reduces its multitude of written endings to a very small list INTRODUCTORY . 13.
الصفحة 14
... written French , disappear almost wholly in pronunciation , and for those who only speak , they are non - existent . * While , therefore , for speaking French by rote , as natives do all tongues , no grammar is needed , yet few written ...
... written French , disappear almost wholly in pronunciation , and for those who only speak , they are non - existent . * While , therefore , for speaking French by rote , as natives do all tongues , no grammar is needed , yet few written ...
الصفحة 21
... written would have kept up the comprehension , if not the use , of good old forms and choice words , which have irrecoverably perished , and the English of the most vigorous period of our literature would not now be sneered at as obso ...
... written would have kept up the comprehension , if not the use , of good old forms and choice words , which have irrecoverably perished , and the English of the most vigorous period of our literature would not now be sneered at as obso ...
الصفحة 22
... written . Neither the prose nor the verse of the English literature of the fourteenth century comes up to the elaborate elegance and the classic finish of Boccaccio and of Petrarch . But , in original power , and in all the high- est ...
... written . Neither the prose nor the verse of the English literature of the fourteenth century comes up to the elaborate elegance and the classic finish of Boccaccio and of Petrarch . But , in original power , and in all the high- est ...
الصفحة 31
... written alphabetic characters , or other conventional symbols , whether arbitrary or imitative , the dumb and indefinable language of manual signs , of facial expression and of gesture , but of the language of brute , beast , and bird ...
... written alphabetic characters , or other conventional symbols , whether arbitrary or imitative , the dumb and indefinable language of manual signs , of facial expression and of gesture , but of the language of brute , beast , and bird ...
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accent adjective alliteration ancient Anglo-Saxon articulation belonging Ben Jonson Bible century character Chaucer classical common composition compound consonants derived dialect diction dictionary distinct early elements employed England English language English words etymology example expression fact familiar foreign French gender German Gothic Gothic languages grammatical Greek guage Hence Icelandic important inflections influence instances intellectual Italian language Latin Layamon Lecture less letters linguistic literature meaning modern moral nations native noun obsolete occur original Ormulum orthoepy orthography participle particles period persons philological phrase Piers Ploughman plural poetic poetry possessive present primitive printed pronounced pronunciation prose prosody radical reference remarkable respect rhymes Robert of Gloucester Romance roots rule Saxon sense Shakespeare signification sound speak speech strong inflection syllables syntactical syntax thing thought tion tongue translation verb verbal verse vocabulary vowel weak inflection writers written Wycliffe Wycliffite
مقاطع مشهورة
الصفحة 356 - OF man's first disobedience, and the fruit Of that forbidden tree, whose mortal taste Brought death into the world, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, heavenly Muse...
الصفحة 165 - But he that heareth, and doeth not, is like a man that without a foundation built an house upon the earth; against which the stream did beat vehemently, and immediately it fell; and the ruin of that house was great.
الصفحة 570 - My life is like the prints which feet Have left on Tampa's desert strand; Soon as the rising tide shall beat, All trace will vanish from the sand; Yet, as if grieving to efface All vestige of the human race, On that lone shore loud moans the sea — But none, alas! shall mourn for me!
الصفحة 66 - Come, pensive Nun, devout and pure, Sober, steadfast, and demure, All in a robe of darkest grain, Flowing with majestic train, And sable stole of cypress lawn Over thy decent shoulders drawn. Come; but keep thy wonted state, With even step, and musing gait, And looks commercing with the skies, Thy rapt soul sitting in thine eyes...
الصفحة 628 - Oxford. 13. The directors in each company to be the Deans of Westminster and Chester for that place, and the king's professors in the Hebrew or Greek in either university. 14. These translations to be used when they agree better with the text than the Bishops' Bible: Tindale's, Matthew's, Coverdale's, Whitchurch's, Geneva.
الصفحة 629 - Truly, good Christian Reader, we never thought from the beginning that we should need to make a new translation, nor yet to make of a bad one a good one...
الصفحة 629 - ... but to make a good one better, or out of many good ones one principal good one, not justly to be excepted against ; that hath been our endeavour, that our mark.
الصفحة 130 - ... rising from her reeking hide; a walleyed horse, tired of the loneliness of the stable, was poking his spectral head out of a window, with the rain dripping on it from the eaves; an unhappy cur, chained to a doghouse hard by, uttered something every now and then, between a bark and a yelp ; a drab of a...
الصفحة 161 - When he wrote for publication, he did his sentences out of English into Johnsonese. His, letters from the Hebrides to Mrs. Thrale are the original of that work of which the Journey to the Hebrides is the translation, and it is amusing to compare the two versions. ' When we were taken up stairs,' says he in one of his letters, 'a dirty fellow bounced out of the bed on which one of us was to lie.
الصفحة 447 - It has always been my practice to cast a long paragraph in a single mould, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.