The Invention of Evening: Perception and Time in Romantic PoetryCambridge University Press, 21/09/2006 - 262 من الصفحات Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express. |
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Alastor Anne Finch Baltimore Barth Berkeley Brisman British Romanticism California Press Cambridge University Press Charles Ryskamp Chicago Press Christopher Ricks Clarendon Press Coleridge and Wordsworth Coleridge's Columbia University Press Complete Poems Cornell University Press Countess of Winchilsea Criticism David Dorothy Wordsworth English Romantic Ernest de Selincourt Essays Harmondsworth Harold Hartman Harvard University Press Haven Helen Hopkins University Press Illinois Press Imagination Ithaca John Keats Johns Hopkins University Joseph Library of America Literary London Lycidas Lyrical Ballads Methuen Milton Minnesota Press Odes of John Oxford University Press Paradise Lost Pastoral Paul Penguin Books Perspectives on Coleridge Poet Princeton University Press Richard Wendorf Robert Romantic Poetry Selected Poems Shelley Journal Shelley's Poetry Stanford University Press Studies in Romanticism Susan Gubar Tennyson Thomas Trans University of California University of Chicago Various Subjects vols W. W. Norton William Wordsworth Woodstock Books Wordsworth Circle Wordsworth's Lyrical Ballads Wordsworth's Poetry Yale University Press York