Italian Cinema: From Neorealism to the PresentContinuum, 2001 - 546 من الصفحات Praise for Italian Cinema: “Extremely interesting and stimulating.” ”Bernardo Bertolucci “A very good book and a very accurate one.” ”Federico Fellini “The librarian who does not get Bondanella immediately must be petitioned, picketed, importuned.” ”Choice “To measure the progress and development of Anglo-American studies on Italian cinema, one needs only to consider Peter Bondanella’s pioneering and seminal Italian Cinema: from Neorealism to the Present…Bondanella’s work carries the crucial merit of having opened up a panoramic view of Italian national cinema to Anglo-American film scholars who in general were mostly familiar with only a few masterpieces. Over the years, Bondanella’s systematic approach has enabled and inspired countless studies.” ”Gian Piero Brunetta, Professor of History and Film Criticism, University of Padua, Italy This new edition of the bestselling Italian Cinema examines films made from 1989 to the present as well as analyzing the earliest days of Italian filmaking. New coverage includes the Italian horror-film genre, Roberto Benigni (Life Is Beautiful), Bernardo Bertolucci (Stealing Beauty), Franco Zeffirelli (Tea with Mussolini), Michael Radford (The Postman [Il Postino]), Gabriele Salvatores (Mediterraneo), Maurizio Nichetti (The Bicycle Thief), Giuseppe Tornatore (Cinema Paradiso, The Starmaker), and much more. This fully revised and updated new edition includes: • All new notes • An extensive bibliography • DVD information
> |
من داخل الكتاب
النتائج 1-3 من 34
... episode set within a monastery in northern Italy represents an interlude from the war raging all around : three chaplains - a Cath- olic , a Protestant , and a Jew - visit a spot which seems to have re- mained unchanged since the ...
... episode brings together a number of elements from the other five episodes : here Dale , an American liaison officer , is directly involved in the daily no - quarter - given struggle of the Par- tisans and the Germans , his command of ...
... episode , A Human Voice ( Una voce umana ) is derived from a play by Jean Cocteau ; the second part , The Miracle ( Il miracolo ) , was written by Fellini , who plays the male lead . A Human Voice requires a virtuoso performance , as it ...
المحتوى
Rossellini De Sica and Visconti | 31 |
Exploring the Boundaries of Neorealism | 74 |
Rossellini in Transition Early | 103 |
حقوق النشر | |
11 من الأقسام الأخرى غير ظاهرة
طبعات أخرى - عرض جميع المقتطفات
Italian Cinema: From Neorealism to the Present <span dir=ltr>Peter E. Bondanella</span> لا تتوفر معاينة - 2001 |