Italian Cinema: From Neorealism to the PresentContinuum, 2001 - 546 من الصفحات Praise for Italian Cinema: “Extremely interesting and stimulating.” ”Bernardo Bertolucci “A very good book and a very accurate one.” ”Federico Fellini “The librarian who does not get Bondanella immediately must be petitioned, picketed, importuned.” ”Choice “To measure the progress and development of Anglo-American studies on Italian cinema, one needs only to consider Peter Bondanella’s pioneering and seminal Italian Cinema: from Neorealism to the Present…Bondanella’s work carries the crucial merit of having opened up a panoramic view of Italian national cinema to Anglo-American film scholars who in general were mostly familiar with only a few masterpieces. Over the years, Bondanella’s systematic approach has enabled and inspired countless studies.” ”Gian Piero Brunetta, Professor of History and Film Criticism, University of Padua, Italy This new edition of the bestselling Italian Cinema examines films made from 1989 to the present as well as analyzing the earliest days of Italian filmaking. New coverage includes the Italian horror-film genre, Roberto Benigni (Life Is Beautiful), Bernardo Bertolucci (Stealing Beauty), Franco Zeffirelli (Tea with Mussolini), Michael Radford (The Postman [Il Postino]), Gabriele Salvatores (Mediterraneo), Maurizio Nichetti (The Bicycle Thief), Giuseppe Tornatore (Cinema Paradiso, The Starmaker), and much more. This fully revised and updated new edition includes: • All new notes • An extensive bibliography • DVD information
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... script from Bernardo Bertolucci , who included in what he eventually showed to Leone numerous quotations from a lifetime of watching Hollywood Westerns in the Paris Cinémathèque . While Bertolucci's script was eventually discarded ...
... script that Enrico will never write . The repetition of the different sequences , all ending nowhere , reveals the emptiness and lack of creativity that characterize these men , all of whom are directly or indirectly linked to the film ...
... script called for Antonio to be paralyzed after being struck on his bicycle by a truck while taking his stolen chandelier home . His son Bruno was supposed to have made their bicycle into a wheelchair to assist his paralyzed father ...
المحتوى
Rossellini De Sica and Visconti | 31 |
Exploring the Boundaries of Neorealism | 74 |
Rossellini in Transition Early | 103 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
Italian Cinema: From Neorealism to the Present <span dir=ltr>Peter E. Bondanella</span> لا تتوفر معاينة - 2001 |