II. FAST MOVEMENT. Fast, or quick, movement, is the characteristic rate in the expression of mirth, fun, humor, gladness, joy, and haste. EXAMPLES. 1. PAUL REVERE'S RIDE. A hurry of hoofs in a village stréet, A shape in the moonlight, a bulk in the dárk, And the spárk struck out by that steed, in his flight, 2. L'ALLEGRO. LONGFELLOW. Haste thee, nymph, and bring with thee Jest and youthful Jòllity, Quips, and cranks, and wanton wìles, Nods, and bècks, and wreathéd smiles On the light fantastic tòe; And in thy right hand lead with thee 3. ONCE MORE. MILTON. "Will I come?" That is pleasant! I beg to inquire If the gun that I carry has ever missed fire? And which was the muster-roll-mention but ône- You see me as always, my hand on the lock, It is rusty, some tell me; I heed not the scôff; 4. RHYME OF THE RAIL. Singing through the forests, Rumbling over bridges; Whizzing through the mountains, Buzzing o'er the vále, Blèss me this is pléasant, Riding on the rail! 5. THE MAY QUEEN. HOLMES. SAXE. You must wake and call me early, call me early, mother dear; To-morrow 'll be the happiest time of all the glad New Year; Of all the glad New Year, mother, the maddest, merriest day; For I'm to be Queen o' the May, mother, I'm to be Queen o' the May. 6. THE MESSAGE. TENNYSON. The muster-place is Lanrick mead; 7. THE SUMMONS. SCOTT. Come as the winds come, when forests are rended; Come as the waves come, when navies are stranded. Faster come, faster come, faster and faster: Chief, vassal, page, and groom, tenant and master. Fast they come, fast they come; see how they gather! Wide waves the eagle plume, blended with heather. Cast your plaids, draw your blades, forward each man set; Pibroch of Donuil Dhu, knell for the onset ! Precisely. I see it. You all want to say That a tear is too sad and a smile is too gay; SCOTT. You could stand a faint smile, you could manage a sigh, But you value your ribs, and you do n't want to cry. It's awful to think of--how year after year With his piece in his pocket he waits for you here; No matter who's missing, there always is one To lug out his manuscript, sure as a gun. III. VERY FAST MOVEMENT. Very fast movement is expressive of hurry, alarm, confusion, flight, ecstatic joy, and ungovernable rage and fury. EXAMPLES. 1. MAZEPPA. Away!-away!-and on we dàsh! — We sped like méteors through the sky, 2. HURRY. Sisters! hence, with spurs of spècd! Each bestride her sable stèed; Hurry! hurry to the field. BYRON. 3. FLIGHT. Forth from the pass in tumult driven, For life! for life! their flight they ply; 4. GOOD NEWS. I sprang to the stirrup, and Joris, and hè; SCOTT. Í galloped, Dírck galloped, we galloped all thièe; "Good speed!" cried the watch as the gate-bolts undrew; Speed!" echoed the wall to us galloping through. Behind shut the pòstern; the lights sank to rest, And into the midnight we galloped abreast. Not a word to each other; we kept the great páce, 5. HOW THE OLD HORSE WON THE BET. Bring forth the horse!" Alas! he showed BROWNING. Scant-maned, sharp-backed, and shaky-kneed, Lips thin, eyes hollow, stiff in joints, Yet not without his knowing points. 66 Go!"-Through his ear the summons stung, The slumbering instincts long unstirred It thrills like flame through every limb- The savage blow his rider dealt The spur that pricked his staring hide The gravel flying in his track, His neck stretched out, his ears laid back, The spectral lover of Lenore, HOLMES. |