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down the river. The men returned to the charge, now trying to get up between the half-concealed rock and the boulders to the left. But the torrent set in strongly through this channel. The tugging was quick and violent, but we made little way. At length, seizing a rope, the principal oarsman made a desperate attempt to get upon one of the boulders, hoping to be able to drag the boat through the channel; but it bumped so violently against the rock, that the man flung himself back and relinquished the attempt.

We returned along the base of the American Fall, running in and out among the currents which rushed from it laterally into the river. Seen from below, the American Fall is certainly exquisitely beautiful, but it is a mere frill of adornment to its nobler neighbour the Horseshoe. At times we took to the river, from the centre of which the Horseshoe Fall appeared specially magnificent. A sheet of cloud across the neck of Mont Blanc can double its apparent height, so here the green summit of the cataract above the smoke of spray appeared lifted to an extraordinary elevation.

THE FALLS OF NIAGARA.

PART IV. THE WHIRLPOOL RAPIDS.

FROM a point a little way below the American Fall, a ferry crosses the river, in summer, to the Canadian side. Below the ferry is a suspension bridge for carriages and foot passengers, and a mile or two lower down is the railway suspension bridge. Between ferry and bridge the river Niagara flows unruffled; but at the suspension bridge the bed steepens and the river quickens its motion. Lower down the gorge narrows, and the rapidity and turbulence increase. At the place called the 'Whirlpool Rapids' I estimated the width of the river at 300 feet, an estimate confirmed by the dwellers on the spot. When it is remembered that the

drainage of nearly half a continent is compressed into this space, the impetuosity of the river's rush may be imagined. From the edge of the cliff above the rapids, we descendeda little, I confess, to a climber's disgust-in an 'elevator,' because the effects are best seen from the water level.

Two kinds of motion are here obviously active, a motion of translation, and a motion of undulation—the race of the river through its gorge, and the great waves generated by its collision with, and rebound from, the obstacles in its way. In the middle of the river the rush and tossing are most violent; at all events, the impetuous force of the individual waves is here most strikingly displayed. Vast pyramidal heaps leap incessantly from the river, some of them with such energy as to jerk their summits into the air, where they hang momentarily suspended in crowds of liquid spherules. The sun shone for a few minutes. At times the wind, coming up the river, searched and sifted the spray, carrying away the lighter drops, and leaving the heavier ones behind. Wafted in the proper direction, rainbows appeared and disappeared fitfully in the lighter mist. In other directions the common gleam of the sunshine from the waves and their shattered crests was exquisitely beautiful. The complexity of the action was still further illustrated by the fact, that in some cases, as if by the exercise of a local explosive force the drops were shot radially from a particular centre, forming around it a kind of halo.

The first impression, and, indeed, the current explanation of these rapids is, that the central bed of the river is cumbered with large boulders, and that the jostling, tossing, and wild leaping of the water there are due to its impact against these obstacles. I doubt this explanation. At all events, there is another sufficient reason to be taken into account. Boulders derived from the adjacent cliffs visibly cumber the sides of the river. Against these the water rises and sinks rhythmically but violently, large waves being thus produced. On the generation of each wave, there is an

immediate compounding of the wave motion with the river motion. The ridges, which in still water would proceed in circular curves round the centre of disturbance, cross the river obliquely, and the result is that at the centre waves commingle which have really been generated at the sides. In the first instance, we had a composition of wave motion with river motion; here we have the coalescence of waves with waves. Where crest and furrow cross each other, the motion is annulled; where furrow and furrow cross, the river is ploughed to a greater depth; and where crest and crest aid each other, we have that astonishing leap of the water which breaks the cohesion of the crests, and tosses them shattered into the air. From the water level the cause of the action is not so easily seen; but from the summit of the cliff the lateral generation of the waves and their propagation to the centre are perfectly obvious. If this explanation be correct, the phenomena observed at the Whirlpool Rapids form one of the grandest illustrations of the principle of interference.

At some distance below the Whirlpool Rapids we have the celebrated whirlpool itself. Here the river makes a sudden bend to the north-east, forming nearly a right angle with its previous direction. The water strikes the concave bank with great force, and scoops it incessantly away. A vast basin has been thus formed, in which the sweep of the river prolongs itself in gyratory currents. Bodies and trees which have come over the falls, are stated to circulate here for days without finding the outlet. From various points of the cliffs above, this is curiously hidden. The rush of the river into

the whirlpool is obvious enough; and though you imagine the outlet must be visible, if one existed, you cannot find it. Turning, however, round the bend of the precipice to the north-east, the outlet comes into view.

The Niagara season was over, the chatter of sightseers had ceased, and the scene presented itself as one of holy seclusion and beauty. I went down to the river's edge, where the weird loneliness seemed to increase. The basin is enclosed by

high and almost precipitous banks-covered, at the time, with russet woods. A kind of mystery attaches itself to gyrating water, due perhaps to the fact that we are to some extent ignorant of the direction of its force. It is said that at certain points of the whirlpool, pine-trees are sucked down, to be ejected mysteriously elsewhere. The water is of the brightest emerald-green. The gorge through which it escapes is narrow, and the motion of the river swift though silent. The surface is steeply inclined, but it is perfectly unbroken. There are no lateral waves, no ripples with their breaking bubbles to raise a murmur; while the depth is here too great to allow the inequality of the bed to ruffle the surface. Nothing can be more beautiful than this sloping liquid mirror formed by the Niagara, in sliding from the whirlpool.

JOHN TYNDALL.

YARROW VISITED.

AND is this-Yarrow ?-This the stream

Of which my fancy cherished

So faithfully, a waking dream,

An image that hath perished?

Oh that some minstrel's harp were near,
To utter notes of gladness,

And chase this silence from the air,
That fills my heart with sadness!

Yet why?—a silvery current flows
With uncontrolled meanderings;
Nor have these eyes by greener

hills

Been soothed, in all my wanderings.

And, through her depths, Saint Mary's Lake

Is visibly delighted;

Fo rnot a feature of those hills

Is in the mirror slighted.

A blue sky bends o'er Yarrow Vale,
Save where that pearly whiteness
Is round the rising sun diffused,
A tender hazy brightness;
Mild dawn of promise! that excludes
All profitless dejection;

Though not unwilling here to admit
A pensive recollection.

Where was it that the famous Flower
Of Yarrow Vale lay bleeding?
His bed perchance was yon smooth mound
On which the herd is feeding:
And haply from this crystal pool,
Now peaceful as the morning,
The water-wraith ascended thrice-
And gave his doleful warning.

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