the celebrated Stratford jubilee, and they remembered Garrick, the prime mover of the fête, who superintended the arrangements, and who, according to the sexton, was « a short punch man, very lively and bustling.» John Ange had assisted also in cutting down Shakspeare's mulberry tree, of which he had a morsel in his pocket for sale; no doubt a a sovereign quickener of literary conception.

I was grieved to hear these two worthy wights speak very dubiously of the eloquent dame who shows the Shakspeare house. John Ange shook his head when I mentioned her valuable and inexhaustible collection of relics, particularly her remains of the mulberry-tree; and the old sexton even expressed a doubt as to Shakspeare having been born in her house. I soon discovered that he looked upon her mansion with an evil eye, as a rival to the poet's tomb; the latter having comparatively but few visitors. Thus it is that historians differ at the very outset, and mere pebbles make the stream of truth diverge into different channels even at the fountain head.

We approached the church through the

avenue of limes, and entered by a gothic porch, highly ornamented, with carved doors of massive oak. The interior is spacious, and the architecture and embellishments superior to those of most country churches. There are several ancient monuments of nobility and gentry, over some of which hang funeral escutcheons, and banners dropping piecemeal from the walls. The tomb of Shakspeare is in the chancel. The place is solemn and sepulchral. Tall elms wave before the pointed windows, and the Avon, which runs at a short distance from the walls, keeps up a low perpetual murmur. A flat stone marks the spot where the bard is buried. There are four lines inscribed on it, said to have been written by himself, and which have in them something extremely awful. If they are indeed his own, they show that solicitude about the quiet of the grave, which seems natural to fine sensibilities and thoughtful minds :

Good friend, for Jesus' sake, forbeare
To dig the dust enclosed here.
Blessed be he that spares these stones,
And curst be he that moves my bones.

Just over the grave, in a niche of the wall, is a bust of Shakspeare, put up shortly after his death, and considered as a resemblance. The aspect is pleasant and serene, with a finely arched forehead; and I thought I could read in it clear indications of that cheerful, social disposition, by which he was as much characterized among his contemporaries as by the vastness of his genius. The inscription mentions his age at the time of his decease-fiftythree years; an untimely death for the world: for what fruit might not have been expected from the golden autumn of such a mind, sheltered as it was from the stormy vicissitudes of life, and flourishing in the sunshine of popular and royal favour.

The inscription on the tombstone has not been without its effect. It has prevented the removal of his remains from the bosom of his native place to Westminster Abbey, which was at one time contemplated. A few years since also, as some labourers were digging to make an adjoining vault, the earth caved in, so as to leave a vacant space almost like an arch, through which one might have reached

into his grave. No one, however, presumed to meddle with his remains so awfully guarded by a malediction; and lest any of the idle or the curious, or any collector of relics, should be tempted to commit depredations, the old sexton kept watch over the place for two days, until the vault was finished and the aperture closed again. He told me that he had made bold to look in at the hole, but could see neither coffin nor bones; nothing but dust. It was something, I thought, to have seen the dust of Shakspeare.

Next to this grave are those of his wife, his favourite daughter Mrs Hall, and others of his family. On a tomb close by, also, is a full length effigy of his old friend John Combe, of usurious memory; on whom he is said to have written a ludicrous epitaph. There are other monuments around, but the mind refuses to dwell on any thing that is not connected with Shakspeare. His idea pervades the place; the whole pile seems but as his mausoleum. The feelings, no longer checked and thwarted by doubt, here indulge in perfect confidence other traces of him may be false

or dubious, but here is palpable evidence and absolute certainty. As I trod the sounding pavement, there was something intense and thrilling in the idea, that, in very truth, the remains of Shakspeare were mouldering beneath my feet. It was a long time before I could prevail upon myself to leave the place; and as I passed through the churchyard I plucked a branch from one of the yew trees, the only relic that I have brought from Stratford.

I had now visited the usual objects of a pilgrim's devotion, but I had a desire to see the old family seat of the Lucys at Charlecot, and to ramble through the park where Shakspeare, in company with some of the roysters of Stratford, committed his youthful offence of deer-stealing. In this hare-brained exploit we are told that he was taken prisoner, and carried to the keeper's lodge, where he remained all night in doleful captivity. When brought into the presence of Sir Thomas Lucy, his treatment must have been galling and humiliating; for it so wrought upon his spirit as