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A NEW WAY

TO PAY OLD DEBTS

BY

PHILIP MASSINGER

INTRODUCTORY NOTE

PHILIP MASSINGER was born at Salisbury in 1584. Though the son of a Member of Parliament, he seems to have inherited no means, for the first notice we have of him after his leaving Oxford in 1606 is a petition addressed to Henslowe by him and two friends for a payment of five pounds on account, to get them out of prison.

After Beaumont retired from play-writing, Massinger became Fletcher's chief partner, and there is evidence that there existed between them a warm friendship. All Massinger's relations with his fellow authors of which we have record seem to have been pleasant; and the impression of his personality which one derives from his work is that of a dignified, hard-working, and conscientious man. He seems to have been much interested in public affairs, and he at times came into collision with the authorities on account of the introduction into his plays of more or less veiled allusions to political personages and events. He died in 1640.

The best known of Massinger's works is "A New Way to Pay Old Debts," which was probably acted for the first time in 1625. The popularity of the play is chiefly due to the principal characters, Sir Giles Overreach, a usurer and extortioner, drawn, however, on such magnificent lines as to rise far above the conventional miser of literature. Overreach is presented with great dramatic skill, the situations being chosen and elaborated so as to throw his figure into high relief; and though his villainy reaches the pitch of monstrosity, the illusion of life is preserved. Here, as elsewhere, Massinger's sympathies are on the side of wholesome morals; and it was probably the powerful didactic tendency of the play and its fine rhetoric which, united with the impressiveness of the main figure, enabled it to hold the stage into the nineteenth century.

A NEW WAY

TO PAY OLD DEBTS

DRAMATIS PERSONÆ

LORD LOVELL, an English Lord.

SIR GILES OVERREACH, a cruel extortioner.

[FRANK] WELLBORN, a Prodigal.

[TOM] ALLWORTH, a young Gentleman, Page to Lord Lovell.

GREEDY, a hungry Justice of Peace.

MARRALL, a Term-Driver; a creature of Sir Giles Overreach.

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[Enter] WELLBORN [in tattered apparel], TAPWELL, and Froth Wellborn.

TO BOUSE?1 nor no tobacco?

NR

Tap.

Not a suck, sir;

Nor the remainder of a single can

Left by a drunken porter, all night pall'd2 too.

Froth. Not the dropping of the tap for your morning's draught,

sir:

'Tis verity, I assure you.

1 Booze, drink.

2 Staled.

Well.

Verity, you brache! 3 The devil turn'd precisian!* Rogue, what am I?

Tap. Troth, durst I trust you with a looking-glass, To let you see your trim shape, you would quit me And take the name yourself.

Well.

Tap.

How, dog!

Even so, sir.

And I must tell you, if you but advance

Your Plymouth cloak you shall be soon instructed

There dwells, and within call, if it please your worship,

A potent monarch call'd the constable,

That does command a citadel called the stocks;

Whose guards are certain files of rusty billmen
Such as with great dexterity will hale

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No rage, sir.

Tap. At his own peril. Do not put yourself
In too much heat, there being no water near
To quench your thirst; and sure, for other liquor,
As mighty ale, or beer, they are things, I take it,

You must no more remember; not in a dream, sir.

Well. Why, thou unthankful villain, dar'st thou talk thus!

Is not thy house, and all thou hast, my gift?

Tap. I find it not in chalk; and Timothy Tapwell

Does keep no other register.

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bose riots fed and cloth'd thee? Wert thou not

a on my father's land, and proud to be

edge in his house?

6

What I was, sir, it skills not;

Y you are, is apparent. Now, for a farewell,

、e you talk of father, in my hope it will torment you, e tell your story. Your dead father,

My quodam master, was a man of worship,

John Wellborn, justice of peace and quorum,

• Puritan. 5 Cudgel. 6 Matters. 7 A select number of the more w, whose presence was necessary to constitute the bench.

And stood fair to be custos rotulorum; 8

Bore the whole sway of the shire, kept a great house,
Reliev'd the poor, and so forth; but he dying,
And the twelve hundred a year coming to you,
Late Master Francis, but now forlorn Wellborn-
Well. Slave, stop! or I shall lose myself.
Froth.

Very hardly:

But to my story:

You cannot out of your way.
Tap.
You were then a lord of acres, the prime gallant,
And I your under-butler. Note the change now;
You had a merry time of't; hawks and hounds,
With choice of running horses; mistresses
Of all sorts and all sizes, yet so hot,
As their embraces made your lordship melt;
Which your uncle, Sir Giles Overreach, observing,
(Resolving not to lose a drop of them,)

On foolish mortgages, statutes, and bonds,

For a while suppli'd your looseness, and then left you. Well. Some curate hath penn'd this invective, mongrel. And you have studied it.

Tap. Your land

gone,

I have not done yet.

and your credit not worth a token

You grew a common borrower; no man scap'd

Your paper-pellets,' from the gentleman

To the beggars on highways, that sold you switches
In your gallantry.

Well.
Tap. Where poor Tim Tapwell, with a little stock,
Some forty pounds or so, bought a small cottage;
Humbled myself to marriage with my Froth here,

I shall switch your brains out.

Gave entertainment

Well.

Clubbers by night.

Tap.

Yes, to whores and canters,

True, but they brought in profit,

And had a gift to pay for what they call'd for,

8 Keeper of the county records.

10

9 Acknowledgments of indebtedness. 10 Whining beggars.

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