The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
من داخل الكتاب
النتائج 1-5 من 84
الصفحة ix
... cultural studies or—in the ethnographic consciousness now prominent in the field—the more predictable liminalities of performance studies. Now that it is pretty much orthodoxy to think of artistic and cultural practices through the ...
... cultural studies or—in the ethnographic consciousness now prominent in the field—the more predictable liminalities of performance studies. Now that it is pretty much orthodoxy to think of artistic and cultural practices through the ...
الصفحة xvii
... cultural produc- tion . ” And I cannot imagine any of them announcing anything like a “ subject position . ” “ A Valediction ” is brief and maybe a little testy , but what came through the chills and fever is what , at the risk of ...
... cultural produc- tion . ” And I cannot imagine any of them announcing anything like a “ subject position . ” “ A Valediction ” is brief and maybe a little testy , but what came through the chills and fever is what , at the risk of ...
الصفحة xxiii
... cultures were never what they seemed to be,” in the hallowed gestures or ceremo- nial practices that, like the soft movements of the Tai Chi Chuan, have been drawn into the orbit of performance in the West. Introduction xxiii.
... cultures were never what they seemed to be,” in the hallowed gestures or ceremo- nial practices that, like the soft movements of the Tai Chi Chuan, have been drawn into the orbit of performance in the West. Introduction xxiii.
الصفحة 5
... cultural materialism , but given the British variety , with a strong disposi- tion to think — just as tenaciously as the Conservative Party — of society , and thus the paradigm , as more than less intact . If , to say the least , the re ...
... cultural materialism , but given the British variety , with a strong disposi- tion to think — just as tenaciously as the Conservative Party — of society , and thus the paradigm , as more than less intact . If , to say the least , the re ...
الصفحة 6
... cultural critique, particularly in the ideological assault on the paradoxes and ten- sions of modernist form, which ... culture are accompanied by a history of barbarism , the history of liberation has been accompanied , 6 Afterthought ...
... cultural critique, particularly in the ideological assault on the paradoxes and ten- sions of modernist form, which ... culture are accompanied by a history of barbarism , the history of liberation has been accompanied , 6 Afterthought ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York