The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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الصفحة x
... look, however, at the plaintive end of Derrida's essay on Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in ...
... look, however, at the plaintive end of Derrida's essay on Artaud, “The Theater of Cruelty and the Closure of Representation,” to realize that even the shattered mirror sustains, in its myriad of replications, all scenarios ending in ...
الصفحة xii
... look away, close as it was—in the recombinant seeming of body parts, ear into heel, ass into mouth, a breasted elbow in flowing hair, sperm, shit, spittle, an intestinal presence in the all-seeing eye—to the “miraculated” schizophrenia ...
... look away, close as it was—in the recombinant seeming of body parts, ear into heel, ass into mouth, a breasted elbow in flowing hair, sperm, shit, spittle, an intestinal presence in the all-seeing eye—to the “miraculated” schizophrenia ...
الصفحة xxiii
... look to other cul- tures for alternatives to the endemic aggressiveness, unappeased longing, and therapeutic urgencies of modern life, we encounter in every direc- tion this unsettling truth: “those alternative or nonaggressive cultures ...
... look to other cul- tures for alternatives to the endemic aggressiveness, unappeased longing, and therapeutic urgencies of modern life, we encounter in every direc- tion this unsettling truth: “those alternative or nonaggressive cultures ...
الصفحة 3
... look,” the thought of something more authentic, dative, other than mere appearance. That there is an artifice to this dubious look does not necessarily diminish the thought, nor does the theoretical animus against anything like the ...
... look,” the thought of something more authentic, dative, other than mere appearance. That there is an artifice to this dubious look does not necessarily diminish the thought, nor does the theoretical animus against anything like the ...
الصفحة 4
... look of being looked at . And by the time of Beckett's Play , so far as the human presence was concerned , not entirely sure of that : “ Am I as much as ... being seen ? ” ( Shorter Plays , 157 ) . The terror of not being seen ...
... look of being looked at . And by the time of Beckett's Play , so far as the human presence was concerned , not entirely sure of that : “ Am I as much as ... being seen ? ” ( Shorter Plays , 157 ) . The terror of not being seen ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York