The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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الصفحة x
... matter” in queering performativity. Defined by Judith Butler in terms of repetitive acts, the “drag” of perfor- mativity or its “corporeal style”—suggesting “a dramatic and contingent construction of meaning”4—is in parody and ...
... matter” in queering performativity. Defined by Judith Butler in terms of repetitive acts, the “drag” of perfor- mativity or its “corporeal style”—suggesting “a dramatic and contingent construction of meaning”4—is in parody and ...
الصفحة xi
... perverse , insatiable , then hyper- trophic , rotting , excremental body — waste matter in the end , looking at the stars— “ like an imprinted residue of the radiant flesh of the world. ...” What I meant by that is not so Introduction xi.
... perverse , insatiable , then hyper- trophic , rotting , excremental body — waste matter in the end , looking at the stars— “ like an imprinted residue of the radiant flesh of the world. ...” What I meant by that is not so Introduction xi.
الصفحة xii
... matters, caressed into being, there might still be the overpowering sensation that, even if it is being repeated, in nuance or extremity, it is being taken to some limit never seen before. How did it get there? by what energy or ...
... matters, caressed into being, there might still be the overpowering sensation that, even if it is being repeated, in nuance or extremity, it is being taken to some limit never seen before. How did it get there? by what energy or ...
الصفحة xiv
... matter of repetitive acts but incessant repeti- tion, the same might be said of noise, through which, in the cybernetic feedback of its lucrative dominance, multitudinous meanings clamor for recognition. There is money in noise, as dot ...
... matter of repetitive acts but incessant repeti- tion, the same might be said of noise, through which, in the cybernetic feedback of its lucrative dominance, multitudinous meanings clamor for recognition. There is money in noise, as dot ...
الصفحة xv
... matter , as with two essays on Renaissance drama — the neglected plays of John Fletcher and the rehearsing of King Lear — or the sequence on American playwrights . As for the one inclu- sion that is not quite an essay , the “ analytical ...
... matter , as with two essays on Renaissance drama — the neglected plays of John Fletcher and the rehearsing of King Lear — or the sequence on American playwrights . As for the one inclu- sion that is not quite an essay , the “ analytical ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York