The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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النتائج 1-5 من 68
الصفحة xii
... sense of transcendence one may feel in tragedy but rather a flat-out attesta- tion to the powers of imagination ... senses with surpassing vision where—surely on a flat surface—the senses do not go. But at the risk of being sucked into ...
... sense of transcendence one may feel in tragedy but rather a flat-out attesta- tion to the powers of imagination ... senses with surpassing vision where—surely on a flat surface—the senses do not go. But at the risk of being sucked into ...
الصفحة xv
... sense of what , just be- fore I stopped directing , my later work was about . There is a kind of his- tory , too , in some of the essay titles , like those that open the book , which may be pointing forward but are also looking behind ...
... sense of what , just be- fore I stopped directing , my later work was about . There is a kind of his- tory , too , in some of the essay titles , like those that open the book , which may be pointing forward but are also looking behind ...
الصفحة xvii
... sense , it can do without the enclosure of a ready Foucauldian rhetoric , nor will it be opened to material reality , the con- tested substance of it , by a fix of revisionist Marx , or whatever now- commonplace disposition to the ...
... sense , it can do without the enclosure of a ready Foucauldian rhetoric , nor will it be opened to material reality , the con- tested substance of it , by a fix of revisionist Marx , or whatever now- commonplace disposition to the ...
الصفحة xviii
... sense of the “ deep structure ” or the “ power struc- ture ” ( terms in usage then ) , as well as the “ instituting discourse ” with its “ spirals of power ” ( familiar usage now ) that with more or less vanity is still being struggled ...
... sense of the “ deep structure ” or the “ power struc- ture ” ( terms in usage then ) , as well as the “ instituting discourse ” with its “ spirals of power ” ( familiar usage now ) that with more or less vanity is still being struggled ...
الصفحة xxiii
... sense of the “fervently impossible,” there was a point in both of our lives where we had to assess whatever illusions we may have had about the social formation required in order to sustain a theater. When the Group sus- pended ...
... sense of the “fervently impossible,” there was a point in both of our lives where we had to assess whatever illusions we may have had about the social formation required in order to sustain a theater. When the Group sus- pended ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York