The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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الصفحة xviii
... sixties ) where the action is . And that is , truly , where it was at , even if , as in Waiting for Godot , there was next to no action at all . If not impelling social change these ( so - called ) absurdist plays gave a more stringent ...
... sixties ) where the action is . And that is , truly , where it was at , even if , as in Waiting for Godot , there was next to no action at all . If not impelling social change these ( so - called ) absurdist plays gave a more stringent ...
الصفحة xix
... first encounters back in the fifties and sixties with Brecht , Beckett , and Genet . To be sure , whatever their charms , Didi and Gogo , Anna Fierling, Madame Irma were not exactly scientific or literary—and Introduction xix.
... first encounters back in the fifties and sixties with Brecht , Beckett , and Genet . To be sure , whatever their charms , Didi and Gogo , Anna Fierling, Madame Irma were not exactly scientific or literary—and Introduction xix.
الصفحة xx
... sixties I staged her first produc- tion. As for Williams, his Suddenly Last Summer was one of the first plays I ever directed, and early on, too, I staged his Camino Real, which, at a time when I was still proving myself as a director ...
... sixties I staged her first produc- tion. As for Williams, his Suddenly Last Summer was one of the first plays I ever directed, and early on, too, I staged his Camino Real, which, at a time when I was still proving myself as a director ...
الصفحة xxiii
... sixties, the impetus and support for it had diminished through the seventies, bottoming out in the eighties. And now we increasingly wonder, in a globalized economy expanding through cyberspace, about what sort of collectivity can be ...
... sixties, the impetus and support for it had diminished through the seventies, bottoming out in the eighties. And now we increasingly wonder, in a globalized economy expanding through cyberspace, about what sort of collectivity can be ...
الصفحة 6
... sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique, particularly in the ideological assault on the paradoxes and ten- sions of ...
... sixties. That impotency could be so activist was, for some interested in a political drama, as inexplicable then as it is today in much cultural critique, particularly in the ideological assault on the paradoxes and ten- sions of ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York