The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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الصفحة ix
... sort of intellectual history of a turning from theater to theory, charged as it was to begin with by the work I had done in the theater— which, elsewhere, I have defined as “blooded thought.”1 What was also there to begin with, in the ...
... sort of intellectual history of a turning from theater to theory, charged as it was to begin with by the work I had done in the theater— which, elsewhere, I have defined as “blooded thought.”1 What was also there to begin with, in the ...
الصفحة x
... sort of embodied performance that endorses or perpetu- ates what representation conceals. Which returns us to the charge (an- other repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze ...
... sort of embodied performance that endorses or perpetu- ates what representation conceals. Which returns us to the charge (an- other repetitive act) that it is a humanistic cover-up for invisible power. If, by way of Foucault or Deleuze ...
الصفحة xvi
... sort of visual poetry , it still conveys much of what was extraordinary about the work , mainly the group's rethinking of Hamlet or , as I suggest in an introductory note , Hamlet's rethinking of us . In that process there was a kind of ...
... sort of visual poetry , it still conveys much of what was extraordinary about the work , mainly the group's rethinking of Hamlet or , as I suggest in an introductory note , Hamlet's rethinking of us . In that process there was a kind of ...
الصفحة xix
... sort of atonement . For it may be apparent here and there that since my earliest work in the theater I have not been very well disposed to American drama , though I have always intended to write a book in which I make the case for it ...
... sort of atonement . For it may be apparent here and there that since my earliest work in the theater I have not been very well disposed to American drama , though I have always intended to write a book in which I make the case for it ...
الصفحة xxi
... sort of ghosting , the figure of Walt , cryogenically preserved — informs “ Fantasia and Simulacra : Subtext of a Syllabus for the Arts in America . ” If there is anything like a peda- gogy that goes along with the syllabus , it is ...
... sort of ghosting , the figure of Walt , cryogenically preserved — informs “ Fantasia and Simulacra : Subtext of a Syllabus for the Arts in America . ” If there is anything like a peda- gogy that goes along with the syllabus , it is ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York