The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 01/01/2002 - 347 من الصفحات Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau--his directing, writing, and criticism--has been a determining force during this period as theater encounters theory. |
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الصفحة ii
Extremities of Theater, 1976-2000 Herbert Blau. This page intentionally left blank Herbert Blau The Dubious Spectacle EXTREMITIES OF THEATER , 1976-2000.
Extremities of Theater, 1976-2000 Herbert Blau. This page intentionally left blank Herbert Blau The Dubious Spectacle EXTREMITIES OF THEATER , 1976-2000.
الصفحة iii
Extremities of Theater, 1976-2000 Herbert Blau. Herbert Blau The Dubious Spectacle EXTREMITIES OF THEATER , 1976-2000 M IN University of Minnesota Press NE Minneapolis London SO TA Copyright 2002 by the Regents of the University of ...
Extremities of Theater, 1976-2000 Herbert Blau. Herbert Blau The Dubious Spectacle EXTREMITIES OF THEATER , 1976-2000 M IN University of Minnesota Press NE Minneapolis London SO TA Copyright 2002 by the Regents of the University of ...
الصفحة vi
Extremities of Theater, 1976-2000 Herbert Blau. This page intentionally left blank Contents Introduction ix 1. Afterthought from the Vanishing Point 1.
Extremities of Theater, 1976-2000 Herbert Blau. This page intentionally left blank Contents Introduction ix 1. Afterthought from the Vanishing Point 1.
الصفحة x
... theater itself is a genetic distrust of theater, at least in the specular tradition extending from the bloody eyes of Oedipus through the ghostings and mousetrap of Hamlet to the incrimi- nating gaze in Ibsen's bourgeois parlor ...
... theater itself is a genetic distrust of theater, at least in the specular tradition extending from the bloody eyes of Oedipus through the ghostings and mousetrap of Hamlet to the incrimi- nating gaze in Ibsen's bourgeois parlor ...
الصفحة xiv
... theater, in which I speak of collabo- rating with musicians who, with next to no money at all, were engaged in the “desperate enterprise of destroying music as a commodity” or, like John Cage, fetishizing noise as a way of rescuing ...
... theater, in which I speak of collabo- rating with musicians who, with next to no money at all, were engaged in the “desperate enterprise of destroying music as a commodity” or, like John Cage, fetishizing noise as a way of rescuing ...
المحتوى
1 | |
2 The Impossible Takes a Little Time | 18 |
3 Spacing Out in the American Theater | 37 |
Rehearsing the Resistance | 53 |
5 A Dove in My Chimney | 62 |
An Analytic Scenario | 70 |
The Grail of the Voice | 118 |
Chills and Fever Mourning and the Vanities of the Sublime | 132 |
13 Readymade Desire | 199 |
From Tango Palace to Mud | 206 |
The Group Idea and Its Legacy | 215 |
New Music and Theater | 230 |
17 FlatOut Vision | 246 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 265 |
Revising the Abyss | 281 |
The Insane Root | 307 |
9 The Dubious Spectacle of Collective Identity | 137 |
Subtext of a Syllabus for the Arts in America | 157 |
Educating the American Theater | 181 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 189 |
Notes | 321 |
Previous Publications | 335 |
Index | 337 |
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عبارات ومصطلحات مألوفة
acting actors aesthetic American theater appearance Artaud artists Atget audience avant-garde Barthes Baudrillard Beckett Bertolt Brecht body Brecht Broadway Bunraku Cal Arts conception critique culture dead deconstruction Denise desire drama dream emotion essay fantasy Ghost Group Group Theater Hamlet happened Herbert Blau Humorous Lieutenant idea ideological illusion imagination Impossible Theater Isidore issue Jack Jules Irving kind King Lear KRAKEN less look madness Margaret matter meaning memory mind modern moving myth never O’Neill performance Peter photograph play politics postmodern production question regional theaters rehearsal representation Richard Foreman ritual Roland Barthes San Francisco scene seems sense sequence sixties social sort sound space speak spectacle stage Stelarc structure sure T. S. Eliot thea theatrical theory thing thought tion trans truth voice Waiting for Godot words Workshop wrote York