Writing For RadioManchester University Press, 11/08/2001 - 276 من الصفحات Here is a comprehensive guide to the essential theoretical and practical aspects of radio writing in all principal genres--short stories, plays, documentaries/docu-dramas, talks, adaptations/dramatizations, poems, and advertisements. Vincent McInerney offers historical overviews of the development of each of these categories and an analysis of the nature of radio itself--an attempt to isolate a radio language, a syntax, and vocabulary that can produce pictures in the mind of the listener. He shows that radio can be taught effectively as prose, drama, and verse. Examples for analysis are included from both broadcast and non-broadcast work. |
المحتوى
the philosophy of radio | 1 |
Why radio? | 31 |
The medium is the message | 45 |
The radio short story | 55 |
The radio play and the dramadocumentary | 78 |
The radio adaptation and dramatisation | 149 |
Radio talks and features | 179 |
Verse and worse | 208 |
The radio advertisement | 236 |
Appendix Getting started | 248 |
Afterword To writers | 263 |
| 266 | |
| 269 | |
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
adaptation advertising Anatole asked audience Australia Banjaxed began beginning Bernard Kops Bill Bill rings boat bottle broadcast character Cindy Crichton dialogue Dick Barton doctor Doctor Fossile Dolokhov door dramatic dramatisation drink Ewan MacColl example Exercises eyes face feature feel film flashback give head hear Holmes idea Ignaz Semmelweis immediately interest interview John John's mother limerick listener living look Mary Milk Wood mind Miss Lonelyhearts motorcycle move narration never ODARE Ossie PAUSE perhaps person piece Pierre plot poem producer programme radio drama radio play Rhakotis RIKER round scene script SCROOGE Semmelweis shillings ship short story shouted simple someone sort sound effects speech stage station student suspension of disbelief talk television tells thing Trevor turned U-boat voice walked Watson wine bar woman writing written young