Schubert in the European Imagination, المجلد 2

الغلاف الأمامي
University Rochester Press, 2006 - 315 من الصفحات
Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in the city that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image. In order to expose the hypocrisy of social relationships, painter Gustav Klimt and writers Arthur Schnitzler, Hugo von Hofmannsthal, and Peter Altenberg exploited the collision between innocence and sexuality, and Schubert was a readily familiar sign for the former. The composer Arnold Schoenberg substituted his own formulation of Schubert in place of the older, popular conceptions of the composer, adding him to an illustrious list of figures whose significance he sought to redesign. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University of Rochester Press, 1996).
 

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المحتويات

Introduction to Volume 2
8
Gustav Klimts Schubert
77
Arthur Schnitzler
95
Schubert Modernism and the FindeSiecle Science of Sexuality 1 18
118
Peter Altenbergs Schubert
147
Music Examples
179
1o Schoenberg Verklarte Nacht m 41 1
186
Arnold Schoenbergs Schubert
193
Figures
197
Afterword
204
List of Journals and Newspapers Cited
272
Index
301
حقوق النشر

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

حول المؤلف (2006)

Scott Messing is Charles A. Dana Professor of Music at Alma College.

معلومات المراجع