Schubert in the European Imagination, المجلد 2University Rochester Press, 2006 - 315 من الصفحات A richly detailed examination of the historical reception of Franz Schubert in nineteenth- and early twentieth-century Europe, with a concentration on fin-de-siècle Vienna. Schubert in the European Imagination: Fin-de-Siècle Vienna examines the composer's historical and cultural reception by Viennese modernists. By 1900, issues of gender had crossed with those of nationalism, especially in thecity that came to consider Schubert as its favorite musical son. As Messing here explains and explores in rich detail, composers, writers, and visual artists manipulated the conventions of the composer and gender in ways that critiqued the very culture that had created this image. Scott Messing is Charles A. Dana Professor of Music at Alma College, and author of Neoclassicism in Music (University ofRochester Press, 1996). |
المحتوى
Introduction to Volume 2 | 9 |
Gustav Klimts Schubert | 70 |
Arthur Schnitzler | 95 |
Schubert Modernism and the FindeSiècle Science of Sexuality | 118 |
Peter Altenbergs Schubert | 146 |
Arnold Schoenbergs Schubert | 170 |
Music Examples | 179 |
Conclusion | 197 |
Afterword | 203 |
Notes | 209 |
1 | 212 |
2 | 229 |
68 | 238 |
List of Journals and Newspapers Cited | 271 |
301 | |