Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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النتائج 1-3 من 65
... Liu Xie's view on literary creation is no less radically different from those of Han and pre - Han critics.65 If literature is to them part of a public , expressive - performative process centered on dance , music , or verbalization ...
... Liu Xie in their interpretation of the Dao . Some critics like Zhong Hong , Xiao Tong , Ye Xie , and Zhang Xuecheng show a singular interest in the impact of the ultimate cosmological process on literature . When the term Dao is ...
... Liu Xie's inten- tion to be a " systematizer " of literary criticism , 96 ; modeled on the cosmological scheme of the " Great Commentary , " 95-97 ; and the " Shi yan zhi ” traditions , 49 . See also Liu Xie's theory of literary ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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