Configurations of Comparative Poetics: Three Perspectives on Western and Chinese Literary CriticismUniversity of Hawaii Press, 2002 - 360 من الصفحات This comprehensive comparative study of Western and Chinese poetics begins with broad examinations of the two traditions over more than two and a half millennia. From these parallel surveys, a series of important theoretical questions arises: How do Western and Chinese critics conceptualize the nature, origin, and function of literature? What are the fundamental differences, if any, in their ways of thinking about literature? Can we account for these differences by examining Western truth-based and Chinese process-based cosmological paradigms? What are the major distinctive concepts of literature developed within Western and Chinese poetics? How have these concepts impacted the development of the two traditions at various times? After considering a wide range of major critical texts, Configurations of Comparative Poetics presents bold and cogent answers to these questions while shedding light on the distinctive orientations of Western and Chinese poetics. |
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... Pound's reinvention of Imagist poetics is Chinese art and poetry . In his recent study of Pound , Zhao- ming Qian ably documents how Pound came into contact with the Chi- nese traditions through his association with a number of ...
... Pound does include and , in fact , accentuate in Des Imagistes , the first anthology of Imagist poetry he compiled in Oc- tober 1913. In addition to Upward's " Scented Leaves from a Chinese Jar , " Pound includes four poems composed by ...
... Pound's contact with the Orientalists is based on information provided in Zhaoming Qian , Orientalism and Modernism : The Legacy of China in Pound and Williams ( Durham and London : Duke Univ . Press , 1995 ) , pp . 9–22 . 63. Qian ...
المحتوى
The Orientation of Western Poetics | 9 |
The Orientation of Chinese Poetics | 33 |
Early Chinese Worldviews and Concepts | 71 |
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